Stereo compressor / limiters in a stand-alone 2U rack-mount unit The Neve 33609 Stereo Compressor offers comprehensive limiting and compression facilities for music recording, mastering, post... View more
A pair of single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression and British mode. The Distressor is the product that started it all for Empirical... View more
The Crème combines a passive Pultec-style EQ and a tested bus compressor in one device. End your inner struggle between analog and digital Our Creme has become a modern classic by now - VCA... View more
The Rupert Neve Designs MBC is a Master Buss Converter Dual Path AD Converter & Limiter Whether you're tracking, printing mixes or mastering, the Master Buss Converter is a revelation in quality and... View more
The Pultec EQP-500X is a 500 series program equalizer with API 2520 Gain Stage The Pultec EQP-500X brings the sound of the classic 19" 2U rack mountable EQP-1A3-SS and EQP-153-SS into your 500 series... View more
6-Band dual channel mastering EQ with minimum phase shift and Air Band The Maag Audio EQ4M is a 6-Band Dual Channel Mastering EQ with AIR BAND (shelf boost from 2.5 to 40kHz), a true in/out bypass, a... View more
Fully analog, stereo vari-mu tube compressor with digital recall Since digital footprint became part of the modern age, analog flavor was demanded more than ever. It is hard to imagine more musical... View more
Multi-Effects Processor, Four quad core ARM processors: 16 DSP engines, Analog audio I/O: 8 channels, USB audio: 16 channels, AES/EBU, ADAT, S/PDIF: Up to 8 channels 21st Century flagship processor... View more
Classic Mono Microphone preamp, 3-band EQ, hand-wired to the original 1073 design from the 70's. Horizontal or vertical options available. Launched in 1970, the 1073 is the first choice of leading... View more
The Crème combines a passive Pultec-style EQ and a tested bus compressor in one device. The Crème combines a passive EQ based on the Pultec principle and a high end bus compressor in a single... View more
Mastering compressor with dual compression sections, optical for dynamic reduction, discrete for precise control, sidechain filter, variable output transformers, and more The Shadow Hills Mastering... View more
Tube-limiting amplifier based on the Bill Putnam classic, the UA 176 The Retro 176 faithfully reproduces the sound of the 1960s original with new features for the modern recording studio. The Retro... View more
Teletronix LA-2A Classic Leveling Amplifier. True to the Original Design, our Famed Tube-Amplified T4 Electro-Optical Classic Compressor Audio professionals passionate about their compressors revere... View more
The MC77 supercedes the MC76 re-engineered 1176 type FET Limiter. The MC77 recreates the audio circuitry of the revision E 1176, using modern components matched to the original. Starting in 1997... View more
Dual EQ with classic 550B design and peak/shelf switch on Hi & Lo bands and The beginnings of the 5500 circuit can be traced back to the original 550 equalizer designed by Saul Walker, the founder of... View more
The ultimate "color box". As a 500-series follow-up to the Portico 5042, the 542 delivers the same thick, musical simulation of tape while drastically enhancing creative control. In addition to the... View more
The H9000R - Blank front panel version, is a network-ready, 16-DSP, multi-channel, rackmount audio effects processing with eight times the processing power of the current H8000. **The blank front... View more
1073 3-band EQ module, hi pass filter, for the 500 series racks Launched in 1970, the original Neve 1073 module is perhaps the world's most famous and desirable microphone preamp and EQ for recording... View more
6-slot 500 Series Lunchbox with DB25 connectors and built-in power supply designed to accept all API standard 5.25" X 1.5" modules The API 500-6B lunchbox is a 6-slot rack designed to accept all API... View more
Line level, stereo unit designed to add saturation, harmonics, natural compression, increased RMS and enhancement during mixing and mastering The HG-2 uses Cinemag input transformers to feed two... View more
PQ is a fully parametric, dual-channel five-band equalizer. The PQ Mastering Equalizer - Model 1540/1544 is a new revised edition of the well-known SPL PQ Mastering Equalizer. Both units are based on... View more
Single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression and British mode. The Distressor is the product that started it all for Empirical Labs. Born... View more
10 slot 500 series rack with included external tri-polar power supply designed to accept API standard format 5.25" X 1.5" modules The API Model 500VPR is powered externally by a tri-polar power... View more
Mono tube compressor, linkable, 2 space 19" rackmount, internal PSU First designed in 1960 by Abbey Road Head of Techncial Bill Livey, Deputy Head Len Page and seasoned EMI Audio Designer Mike... View more
Built on the same basic design of the world-famous 1073, it offers a significantly different palette of frequency selections. Horizontal or vertical options available. In addition, the 1084 features... View more
Single-Channel Discrete Analog FET Compressor. Faithful Recreation Of The Fastest and Most Powerful "Rev D" Studio Compressor With Added Recording Features The WA76-D accurately reproduces one of the... View more
Tube program EQ Vintage Tube Amplifiers and Custom-Designed Transformers set the soundstage. True Passive Equalization creates Bountiful and Musical Equalization curves. The new RETRO 2A3 is designed... View more
Discrete 500 Series 3 band EQ with API fully discrete circuit design Few equalizers enjoy the respect and admiration of the coveted API 550A. Designed by the now-legendary Saul Walker in the late... View more
Discrete compressor with premium grade input and output CineMag USA Transformers true to the Classic '76 compressor in design and performance, modeled after the D revision The WA76 has a fully... View more