Manufactured by Q2 Audio in close collaboration with Audio & Design, the F765 is a remake of the F760-N module and has now been adapted to the 500 series modular rack system It is authentic in every... View more
Colossal, timbre-twisting passive equalization using metal-film resistors, film capacitors, and hand-wound inductors to organically sculpt the tone from subtle to vivid. A PICTURE IS WORTH A THOUSAND... View more
The 7X-500 is our take on the classic "1176 Sound". It can be smooth or it can be a rock'n'roll monster when using ratio 100:1 (all in). The Seven X Five Hundred is a one channel compressor/limiter.... View more
The BAE 1073 Module is an authentic reproduction of vintage Neve 1073 console module. It fits the BAE racks for vintage Neve modules as well as fitting into vintage Neve A series. The BAE 1073 is as... View more
The next generation of the world-acclaimed VB-101, this is the pinnacle of speaker and miking simulation. The ultimate loadbox! Its new features notably include a new loadbox with increased... View more
Two Notes Audio Engineering, creator of the world's best speaker cabinet simulation, has bridged a new technological gap with the Torpedo Reload. The Reload is the ideal combination of the devices... View more
The Shelford 5052 echoes the simple and definitive 1073 feature set with a vertically-oriented mic pre, high pass filter, and 3-band inductor EQ. While also incorporating modern capabilities like the... View more
The 1978 is a Stereo Tone Shaping FET Compressor with four character settings that interact with the compressor settings, it can be engaged alone or in combinations The award winning Drawmer 1978... View more
The legendary sound of the SSL Stereo Bus Compressor has been glueing mixes together for 35+ years...it is now available for the 500 format rack. Often imitated but never equaled, the centre section... View more
A pair of single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression. The Distressor is the product that started it all for Empirical Labs. Born of... View more
Single slot blank panel, used in the API lunchbox, 500V Rack and expansion slots for the 1608. 500 Series, 1 slot Blank Panel with Studio Economik logo.
In addition to our faithful recreation of the original vacuum tube make-up gain MEQ-5, we have also recreated the MEQ-5 version based on the legendary API 2520 op-amp.
The Elysia Mpressor 500 series has one channel compressor with auto fast attack, 'Anti Log' release, negative ratios, gain reduction limiter and THD Boost Harmonic Enhancement The Mpressor 500 brings... View more
The Overstayer M-A-S Model 8101 was designed to be an analog 'more' control. More color, more harmonics, more tone. It gives you the harmonic character and peak rounding of classic recording and... View more
This unit houses two independant mono compressors, or in STEREO mode, the left-hand controls operate both audio channels, with the right-hand controls not used, giving true stereo. The C2M version... View more
The Model 610 is the original version of the Classic Compressor And Peak Limiter. It utilizes the 601 compressor/limiter module, with a 101 Preamplifier for make-up gain Two 610 Complimiters can be... View more
Originally conceived for use in API consoles of the '60s and '70s, the API 560 is a unique discrete 10 band graphic equalizer, designed to accomplish tasks that no other EQ can. Extremely fast to set... View more
The Overstayer M-A-S Model 8101 was designed to be an analog 'more' control. More color, more harmonics, more tone. With Rotary Switches. It gives you the harmonic character and peak rounding of... View more
The new E Series Dynamics Module for 500 Series racks reproduces the legendary sonic signature of an early 80's classic, the SL 4000 E console channel strip. The SSL E Series Dynamics Module features... View more
The UBK Fatso makes easy work of the most difficult and mysterious process in sound engineering: dynamics control and transient shaping Designed to give the operator the most unflinchingly musical... View more
The 535 is a 500 Series Diode-Bridge Compressor with Stepped Controls, Onboard Parallel Processing, Sidechain Highpass Filter and Stereo Linking Punchy, thick and versatile, the 535 Diode Bridge... View more
The SB4001 is a Quad VCA based compressor, and can be used for either stereo or mono applications. The VCA is used for the gain reduction and is a very accurate and powerful design, perfect for a... View more
This is a Digital Loadbox. This means a combination of an analogue REACTIVE 100W RMS loadbox and a powerful 32-bit DSP. The Torpedo Live is directly inspired by the critically acclaimed Torpedo... View more
Weiss DS1-MK3, the reference when it comes to digital mastering Compressors and De-Essers. A versatile single band limiter/compressor with M/S mode and Parallel Compression. The Weiss 102 Series... View more
The TUBE-TECH HLT 2A is a stereo equilizer featuring active low and high shelving EQ, a passive T-filter plus passive Hi/Lo cut filters and an overall bypass switch. The shelving EQ's are designed... View more
The 2254/R is a rack mount classic mono Limiter/Compressor. Version of the legendary 2254, plus manually adjustable Fast Attack Time, clipping indication and storable settings Designed in 1969, the... View more
The API 527 compressor/limiter takes it's place alongside the family of API VCA based compressors, the 225L and the 2500 Stereo Bus Compressor. Anyone familiar with those units will immediately be at... View more
The Radial SixPack is a desk-top 6-slot power rack for the popular 500 series, designed to create the ultimate channel strip with 1600 milliamps of available current. The design begins with a heavy... View more
SAT 500 is a single channel 500 format module with a saturation circuit, adding low order harmonics and smoothly evens the signal, all in an amazingly musical & ear friendly way. It can significantly... View more
A-Designs' world-class HAMMER 2 is one of a very select few audio tools that enhances sound simply by running signal through it. With an overall frequency range covering 30Hz to 40kHz, the HAMMER 2... View more
