The OST-4 V2.0 500 series enclosure is designed for racking any and all 500-series modules anddevices, including 'double wide' modules and even the most demanding class-A and vacuum tube designs..... View more
The Pete's Place Audio BAC-500 is a feedback-style FET compressor built around two discrete op amps and a custom wound output transformer. From the top down, the BAC's faceplate features a large... View more
Mono compressor, 500 Series, non-linkable / matching by vendor request, EMI/Abbey Road Studios The TG Opto for 500 Series is a relative of the TG1 Opto, found in Chandler Limited's TG Microphone... View more
The Maselec MPL-2 is a brick-wall and high frequency limiter. It can be used to achieve high subjective levels and reduce unwanted high frequency levels (de-essing). The MPL-2 is also used to... View more
The Overstayer Stereo Voltage Control Model 3722 is like having and entire mixing signal chain in a single rack space. It goes beyond the capabilities of a typical compressor/limiter and enables new... View more
The Overstayer Saturator is a 100% analog dual channel harmonics and distortion processor, with tone shaping filters and multiple amplifiers for a wide of array of character. The Overstayer Saturator... View more
All-tube stereo multiband compressor with 3 band opto-compression and independent band specific Threshold, Ratio, Attack, Release & Gain parameters. Mastering version TUBE-TECH SMC2BM is the... View more
REQ-2.2 - Mastering is a resonance mastering equalizer. A stereo inductor based recording and mastering parametric equalizer, that operates and sounds like no other!
SAT 500 is a single channel 500 format module with a saturation circuit, adding low order harmonics and smoothly evens the signal, all in an amazingly musical & ear friendly way. It can significantly... View more
The VSC-3 is the legal successor of the VSC-2, which now is a modern classic and can be found in many top class studios around the world. VSC-3 QUAD DISCRETE COMPRESSOR. Combine the best of modern... View more
The BC1-THD provides smooth bus compression that applies for both mixing and tracking. Engineers call it "The Magic Glue" when the BC1-THD's transparent compression strengthens mixes without... View more
2 channel tube driven equalizer As with other units of ours, such as The Phoenix, all controls are clearly labelled and setting up the eq is quick and easy, so we named it after Britain's fastest... View more
The Fatso EL7x is a full analog tape simulator and optimizer with classic knee compression. Analog warmth for a digital world. THE FATSO GOES TO ELEVEN. ELEVEN is a new compressor for the Fatso,... View more
Based around the MLA-3 multiband compressor, the MLA-4 offers expansion on all bands too, with ratios from 6:1 compression to 1:2 expansion. The link circuits are separate, which means that you can... View more
The Elysia Nvelope is a powerful audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics.
500 series, multi-band dynamics unit inspired by classic tape noise reduction circuits Stretch emulates the sound of these classic units in their respective "encode" modes. However, the Stretch adds... View more
The Nvelope 500 is a powerful dual slot audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely... View more
8-slot 500 Series rack, 10-Channel Summing Mixer, On Slot Technology In 2015, Heritage Audio set a new standard in 500 Series enclosures with the addition of the OST technology. Further, we... View more
Stereo FET compressor, dual mono version of the legendary 1176 archetype, pure A class circuit The Volfram Limiter is a dual mono version of the legendary 1176 archetype.. The core of versatility of... View more
The G21 is kinda an elaboration on our G14 parallel-passive EQ - the parallel topology enables multi-band control without running into the traditional problems in multi-banding Use carefully - this... View more
The Cranesong Insigna is a 500-series module tube EQ designed by Dave Hill and comes from a long line of industry standard, high quality audio hardware. The unit is based around a dual triode circuit... View more
1-channel Solid-state Electro-optical Compressor with Program-dependent Attack and Release Times, XLR and TRS I/O and External Power Supply The LA-2A (tube version) and LA-3A (solid state version)... View more
MC 16 prepares today's mastering studio for Dolby Atmos & Auro 3D projects. Monitoring up to 16 ch in a quality on par with state-of-the-art stereo was hard to achieve - until now. The MC16 sports... View more
All-tube stereo multiband compressor with 3 band opto-compression and independent band specific Threshold, Ratio, Attack, Release & Gain parameters The TUBE-TECH SMC 2B Stereo Multiband Compressor... View more
Based on the Portico 5017 Mobile Pre, the 517 provides world-class transformer-coupled micpreamp, compressor and DI circuitry with Vari-phase, "Silk" and DI/mic blending. Mic Pre and Instrument... View more
The A1 is our first analog input/output only product. A state-of-the-art microphone/line pre-amplifier with a de-esser in the popular API 500 Series format. The side-chain of the de-esser uses a DSP... View more
