Dual-channel vacuum tube compression amplifier The gain reduction elements utilize circuitry that duplicates the sound and characteristics of the finest classic vacuum tube compressors, without... View more
The SPLICE-500 MKII is a single channel FET based compressor, and can be used for mono applications, or can be paired with a second SPLICE-500? MKII for stereo applications. The SPLICE-500 MKII's... View more
Since the early 1990's, the Manley ELOP stereo electro-optical limiter has been a tracking hero effortlessly controlling dynamics on countless records around the globe. Well, for starters, we have... View more
The HA609A is a Class A Stereo/Duel Mono British-Spec Compressor and Limiter Heritage Audio's HA609A delivers punch, weight, and just the right amount of color to your mixes, buses,. or tracks.. With... View more
The Opticom Model XLA-500 is a 500 Series tube-driven optical compressor. It brings a whole new palette of colors to the world of 500. The XLA-500 is a tube optical audio limiter designed to produce... View more
The OST-4 V2.0 500 series enclosure is designed for racking any and all 500-series modules anddevices, including 'double wide' modules and even the most demanding class-A and vacuum tube designs..... View more
The MEQ-5 Midrange Equalizer provides exacting control of the "power region" in program material (300 - 5000 cps) in which most of the sound energy is typically concentrated.
Single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression. The Distressor is the product that started it all for Empirical Labs. Born of founder Dave... View more
The Elysia Nvelope is a powerful audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely useful for... View more
The 5051 combines a classic three band EQ based on Rupert's vintage designs with the power and flexibility of the Portico II compressor. Utilizing a fully-discrete, class-A signal path and high... View more
The EQP-1S3 is a very rare variant of the EQP-1A3, which features modified low-frequency shelf boost/atten curves, additional peak boost frequencies & high-frequency shelf boost.
The TUBE-TECH SMC 2B Stereo Multiband Compressor is an all tube-based compressor that adds the warmth of vintage quality masters to your mix. The TUBE-TECH SMC 2B Stereo Multiband Compressor features... View more
The Seventeen is not the '76 compressor that your grandfather recorded with. The Seventeen is not the '76 compressor that your grandfather recorded with. It isn't even a remake but rather the Black... View more
Single channel vintage style compressor The COMP-54 is a one-channel vintage style compressor. The signal path uses only discrete components like resistors, capacitors and transistors. The line input... View more
1-channel Solid-state Electro-optical Compressor with Program-dependent Attack and Release Times, XLR and TRS I/O and External Power Supply The LA-2A (tube version) and LA-3A (solid state version)... View more
Manufactured by Q2 Audio in close collaboration with Audio & Design, this remake of the classic Compex is authentic and reproduces the exact sonic qualities of the original. Using the original... View more
500 series, multi-band dynamics unit inspired by classic tape noise reduction circuits Stretch emulates the sound of these classic units in their respective "encode" modes. However, the Stretch adds... View more
Mono compressor, 1 space 19" rackmount The Germanium series continues with the GERMANIUM Compressor. The GERM Comp starts with the same all class A amp found in the GERM Pre and Tone Control and is... View more
BAE 1073 Preamp/EQ made from an authentic reproduction of a Neve 1073 featuring the same St Ives (Carnhill) transformers as the vintage modules. Includes power supply. The 1073 preamp yields a really... View more
The Maselec MPL-2 is a brick-wall and high frequency limiter. It can be used to achieve high subjective levels and reduce unwanted high frequency levels (de-essing). The MPL-2 is also used to... View more
Manufactured by Q2 Audio in close collaboration with Audio & Design, the F765 is a remake of the F760-N module and has now been adapted to the 500 series modular rack system It is authentic in every... View more
With abundant power and versatile connections, the R6 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks. Power You Can Trust. Power-wise, the R6... View more
With the Transient Designer TDx the level-independent processing of signal paths is making headway into the world of 500 series rack modules. Working with the Transient Designer is very simple:... View more
8 Channel Rack with PSU and Power Supply 48v. The BAE (formerly Brent Averill Enterprises) 8 Module Powered Rack can be used with any Neve 1073-style modules including:. Brent Averill 1023 . Brent... View more
The COMP-3A Jr is a one channel vintage style Compressor / Leveler. The signal path uses only discrete components like resistors, capacitors, diodes and transistors. The input and output is... View more
The Elysia kaRACKter is the rack version of the famous Karacter 500 series discrete class-A stereo saturation. On top of everything the 500 series module has to offer, the amazing special feature of... View more
2U rack adapter for Lynx Hilo converters The Hilo Rack is the ideal solution for rack-mounting your Hilo converter from Lynx Studio Technology. Heavier than most rack shelves, the Hilo Rack is made... View more
B172A Hybrid F.E.T. Opto Compressor Black Lion Audio, having hit the mark with the widely adored Seventeen compressor, has struck again, combining the Seventeen's F.E.T. circuitry with a worthy... View more
