Based around the MLA-3 multiband compressor, the MLA-4 offers expansion on all bands too, with ratios from 6:1 compression to 1:2 expansion. The link circuits are separate, which means that you can... View more
The OST-4 V2.0 500 series enclosure is designed for racking any and all 500-series modules anddevices, including 'double wide' modules and even the most demanding class-A and vacuum tube designs..... View more
The Seven X Vintage 500-Series Fet Compressor "Vintage Edition" one channel compressor/limiter The 7X-500VIN "Vintage Edition" compressor packages the sound of one of the most popular compressors... View more
The TK Audio BC501 is the 500 series equivalent of the popular BC1 stereo bus compressor with some features borrowed from the BC2-ME mastering compressor. TK Audio's newest 500 series module, BC501... View more
The Dangerous Music Master is a very transparent mastering console with 2 stereo inputs, 3 stereo outputs (one for monitoring). The Deep Legacy of Dangerous Mastering Equipment. Before co-founding... View more
The Nvelope 500 is a powerful dual slot audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely... View more
Daking FET III is a dual channel limiter from Geoff Daking, built in the US with the same audio path and detector circuits as our successful single channel Daking FET II Limiter The FET III... View more
Single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression. The Distressor is the product that started it all for Empirical Labs. Born of founder Dave... View more
MC 16 prepares today's mastering studio for Dolby Atmos & Auro 3D projects. Monitoring up to 16 ch in a quality on par with state-of-the-art stereo was hard to achieve - until now. The MC16 sports... View more
Mono compressor, 500 Series, non-linkable / matching by vendor request, EMI/Abbey Road Studios The TG Opto for 500 Series is a relative of the TG1 Opto, found in Chandler Limited's TG Microphone... View more
Dual-channel vacuum tube compression amplifier The gain reduction elements utilize circuitry that duplicates the sound and characteristics of the finest classic vacuum tube compressors, without... View more
The Cranesong Insigna is a 500-series module tube EQ designed by Dave Hill and comes from a long line of industry standard, high quality audio hardware. The unit is based around a dual triode circuit... View more
Since the early 1990's, the Manley ELOP stereo electro-optical limiter has been a tracking hero effortlessly controlling dynamics on countless records around the globe. Well, for starters, we have... View more
The SPLICE-500 MKII is a single channel FET based compressor, and can be used for mono applications, or can be paired with a second SPLICE-500? MKII for stereo applications. The SPLICE-500 MKII's... View more
The 5051 combines a classic three band EQ based on Rupert's vintage designs with the power and flexibility of the Portico II compressor. Utilizing a fully-discrete, class-A signal path and high... View more
The Elysia Nvelope is a powerful audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics.
The 500C Fet Compressor features controls for input and output gain, plus the four selectable, time-honored compression rations of 4:1, 8:1, 12:1, and 20:1. In addition to taming peaks, its premium... View more
The TUBE-TECH SMC 2B Stereo Multiband Compressor is an all tube-based compressor that adds the warmth of vintage quality masters to your mix. The TUBE-TECH SMC 2B Stereo Multiband Compressor features... View more
The EQP-1S3 is a very rare variant of the EQP-1A3, which features modified low-frequency shelf boost/atten curves, additional peak boost frequencies & high-frequency shelf boost.
The Seventeen is not the '76 compressor that your grandfather recorded with. The Seventeen is not the '76 compressor that your grandfather recorded with. It isn't even a remake but rather the Black... View more
The HA609A is a Class A Stereo/Duel Mono British-Spec Compressor and Limiter Heritage Audio's HA609A delivers punch, weight, and just the right amount of color to your mixes, buses,. or tracks.. With... View more
Manufactured by Q2 Audio in close collaboration with Audio & Design, this remake of the classic Compex is authentic and reproduces the exact sonic qualities of the original. Using the original... View more
The Splice MKII is a single channel FET based compressor, and can be used for mono applications, or can be paired with a second SPLICE MKII for stereo applications. Splice MKII FET COMPRESSOR. The... View more
1-channel Solid-state Electro-optical Compressor with Program-dependent Attack and Release Times, XLR and TRS I/O and External Power Supply The LA-2A (tube version) and LA-3A (solid state version)... View more
BAE 1073 Preamp/EQ made from an authentic reproduction of a Neve 1073 featuring the same St Ives (Carnhill) transformers as the vintage modules. Includes power supply. The 1073 preamp yields a really... View more
The Maselec MPL-2 is a brick-wall and high frequency limiter. It can be used to achieve high subjective levels and reduce unwanted high frequency levels (de-essing). The MPL-2 is also used to... View more
500 series, multi-band dynamics unit inspired by classic tape noise reduction circuits Stretch emulates the sound of these classic units in their respective "encode" modes. However, the Stretch adds... View more
