This unit houses two independant mono compressors, or in STEREO mode, the left-hand controls operate both audio channels, with the right-hand controls not used, giving true stereo. The C2M version... View more
All-tube stereo multiband compressor with 3 band opto-compression and independent band specific Threshold, Ratio, Attack, Release & Gain parameters. Mastering version TUBE-TECH SMC2BM is the... View more
System package: one M10 remote console with three M7M reverb processors complete with 10m serial cableand two 25cm interconnect cables The Bricasti M7M Reverb Processor Mainframe is an exact... View more
FET style compressor/limiter with variable mix control for precise parallel compression It's a FET (field effect transistor) design that incorporate some new and exclusive features such as "High Pass... View more
Single channel discrete filter bank for the 500 Series with API 2520 and 2510 Op-Amps The 565 Filter Bank module has circuits that are true to the musical filters of the famed 215 module found in... View more
1-channel Solid-state Electro-optical Compressor with Program-dependent Attack and Release Times, XLR and TRS I/O and External Power Supply The LA-2A (tube version) and LA-3A (solid state version)... View more
2 channel tube driven equalizer, Balanced version As with other units of ours, such as The Phoenix, all controls are clearly labelled and setting up the eq is quick and easy, so we named it after... View more
Dual-channel equaliser and filter with electronically balanced input stage, sweepable filtering and Total Recall Mastering-quality EQ from the exquisitely crafted 88RS console.. The 8803 dual-channel... View more
The G21 is kinda an elaboration on our G14 parallel-passive EQ - the parallel topology enables multi-band control without running into the traditional problems in multi-banding Use carefully - this... View more
FET compressor in a 500-series module, relay bypass, 2:1 ratio, Slam Mode The 576 Blue Stripe is a revised version of the classic FET compressor. . What it is. The FET-type solution was first used... View more
Passive stereo equalizer, equipped with two different topologies for makeup gain and interfacing The filter itself consist of five bands - each with 11 switchable frequencies, continuous variable... View more
2 channel tube driven equalizer As with other units of ours, such as The Phoenix, all controls are clearly labelled and setting up the eq is quick and easy, so we named it after Britain's fastest... View more
The 543 Mono Compressor delivers the unobtrusive, musical-sounding dynamic control and brick-wall limiting made famous in the Portico 5043 to the 500 series format. The 543 features a fully... View more
Tube-driven optical compressor and limiter with USA-made transformer and Black Lion T4BLA opto element 60 Years of History in your Studio, Today.. We meticulously engineered the LiN2A to faithfully... View more
Classic 500 Series peak detecting "feedback" compressor/limiter with variable threshold and output levels Originally released in the 70's, the API 525 is a "feedback" type compressor. An input... View more
The Dangerous Music Master is a very transparent mastering console with 2 stereo inputs, 3 stereo outputs (one for monitoring). The Deep Legacy of Dangerous Mastering Equipment. Before co-founding... View more
The Nvelope 500 is a powerful dual slot audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely... View more
The Heritage Audio HA73EQ JR is a fully featured Line Input module for the 500 Series. It not only shares the 3-band Equalizer with his big brother, the 1073, but also shares the same transformer... View more
With abundant power and versatile connections, the R6 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks. Power You Can Trust. Power-wise, the R6... View more
Highly-versatile and musical two-channel tube distortion unit based on the Culture Vulture with lower noise and wider bandwidth with more low end extension and high end Building on the success and... View more
Weiss DS1-MK3, the reference when it comes to digital mastering Compressors and De-Essers. A versatile single band limiter/compressor with M/S mode and Parallel Compression. The Weiss 102 Series... View more
The Drawmer 1976 is a stereo three band saturation and width processor The 1976 3 band stereo saturation and width processor has been designed to inject character, colour & life into your recordings... View more
The Pete's Place Audio BAC-500 is a feedback-style FET compressor built around two discrete op amps and a custom wound output transformer. From the top down, the BAC's faceplate features a large... View more
IBIS is an analog equalizer that boldly takes equalization to a new level of musicality. Each of its four bands features switch-selectable frequencies centered on and covering musical-step intervals... View more
500 series classic Opto compressor with gain reduction and output volume The Tegeler Audio Vocal Leveler is a single channel Opto compressor taken from the Vari Tube Recording Channel and adapted to... View more
In addition to our faithful recreation of the original vacuum tube make-up gain MEQ-5, we have also recreated the MEQ-5 version based on the legendary API 2520 op-amp.
Stereo buss compressor in your 500 series rack The S-Type 500 is best known for its ability to replicate the buss compressor of the legendary British large format console. The heart of the compressor... View more
The Avedis Audio E27 EQ fits in all 500 series major brand racks, lunchboxes, consoles, and rackmounts. The E27 is not a clone or a reproduction of anything else. The E27 was created for the need of... View more
The Elysia Nvelope is a powerful audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics.
