High frequency peaking/shelving section of the industry-standard NSEQ-4 in a 500 Series module Thousands upon thousands of professional engineers use the discrete JFET Class A NSEQ parametric EQ in... View more
1-channel Solid-state Electro-optical Compressor with Program-dependent Attack and Release Times, XLR and TRS I/O and External Power Supply The LA-2A (tube version) and LA-3A (solid state version)... View more
500-Series Modified "Blue Stripe" FET Limiter / Compressor True Blue - without 2U.. Bluey 500 is the 500-series version of the lauded Black Lion Audio Bluey. The original ?Bluey? is Chris Lord-Alge?s... View more
The Dangerous Music Master is a very transparent mastering console with 2 stereo inputs, 3 stereo outputs (one for monitoring). The Deep Legacy of Dangerous Mastering Equipment. Before co-founding... View more
Classic 500 Series peak detecting "feedback" compressor/limiter with variable threshold and output levels Originally released in the 70's, the API 525 is a "feedback" type compressor. An input... View more
Stereo buss compressor in your 500 series rack The S-Type 500 is best known for its ability to replicate the buss compressor of the legendary British large format console. The heart of the compressor... View more
With abundant power and versatile connections, the R6 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks. Power You Can Trust. Power-wise, the R6... View more
The vintage-style fully stereo 1974 four band Parametric Equaliser provides exceptional analogue musicality and sonic clarity, taking it's inspiration from 1970's-era gear It has the ability to... View more
500 series limiter / distortion processor, Silver faceplate After 10 years of production and over 1,000 units sold, Stand Audio have decided that it is time to release a new version of the Level-Or... View more
The 1978 is a Stereo Tone Shaping FET Compressor with four character settings that interact with the compressor settings, it can be engaged alone or in combinations The award winning Drawmer 1978... View more
The Overstayer Stereo Voltage Control Model 3722 is like having and entire mixing signal chain in a single rack space. It goes beyond the capabilities of a typical compressor/limiter and enables new... View more
Weiss DS1-MK3, the reference when it comes to digital mastering Compressors and De-Essers. A versatile single band limiter/compressor with M/S mode and Parallel Compression. The Weiss 102 Series... View more
In addition to our faithful recreation of the original vacuum tube make-up gain MEQ-5, we have also recreated the MEQ-5 version based on the legendary API 2520 op-amp.
The Heritage Audio HA73EQ JR is a fully featured Line Input module for the 500 Series. It not only shares the 3-band Equalizer with his big brother, the 1073, but also shares the same transformer... View more
IBIS is an analog equalizer that boldly takes equalization to a new level of musicality. Each of its four bands features switch-selectable frequencies centered on and covering musical-step intervals... View more
BAE 1073 Preamp/EQ made from an authentic reproduction of a Neve 1073 featuring the same St Ives (Carnhill) transformers as the vintage modules. Includes power supply. The 1073 preamp yields a really... View more
The Pete's Place Audio BAC-500 is a feedback-style FET compressor built around two discrete op amps and a custom wound output transformer. From the top down, the BAC's faceplate features a large... View more
PQ is a fully parametric, dual-channel five-band equalizer. The PQ Mastering Equalizer - Model 1540/1544 is a new revised edition of the well-known SPL PQ Mastering Equalizer. Both units are based on... View more
Analog passive EQ with seven frequency controlled with stepped rotary switches capable of a boost or cut of 8db in 1dB increments, or a flat response The MOTORCITY EQualizer is a completely analog,... View more
Analog compressor with the original ATI Paragon Console compressor circuit re-engineered for the 500 series format with variable Threshold, Ratio, and Make-up Gain controls The API Select SV12... View more
Stereo electro-optical limiter Well, for starters, we have now added a 3:1 compression ratio feature which opens up the doors to greater versatility, especially for 2-buss applications. The 2016... View more
The BC1-THD provides smooth bus compression that applies for both mixing and tracking. Engineers call it "The Magic Glue" when the BC1-THD's transparent compression strengthens mixes without... View more
Mono compressor, 1 space 19" rackmount The Germanium series continues with the GERMANIUM Compressor. The GERM Comp starts with the same all class A amp found in the GERM Pre and Tone Control and is... View more
Classic LA2A in your 500 series rack Two knobs of happiness. The IGS ONE LA 500 is an opto-compressor built for the 500 series format. This is the first high voltage vacuum tube 500 series module... View more
The MEQ-5 Midrange Equalizer provides exacting control of the "power region" in program material (300 - 5000 cps) in which most of the sound energy is typically concentrated.
The Nvelope 500 is a powerful dual slot audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely... View more
The Avedis Audio E27 EQ fits in all 500 series major brand racks, lunchboxes, consoles, and rackmounts. The E27 is not a clone or a reproduction of anything else. The E27 was created for the need of... View more
10 slot, professional, rack-mountable 500 series powered enclosure featuring Heritage Audio's On Slot Technology for maximum protection, filtering, and isolation to each channel While most 500-series... View more
