The Avedis Audio E27 EQ fits in all 500 series major brand racks, lunchboxes, consoles, and rackmounts. The E27 is not a clone or a reproduction of anything else. The E27 was created for the need of... View more
There's never been a compact effects box like Eclipse. From the amazing range and depth of its algorithms to its comprehensive array of analog and digital I/O ports. Dual Effects Block Architecture.... View more
The Bricasti M7M Reverb Processor Mainframe is an exact duplicate of the M7 Stereo Reverb Processor with reduced front panel controls, it is necessary to have an M10 for control. The new Bricasti... View more
GML 8200 is a Two-channel five-band parametric EQ. Includes 8355 Power Supply. Brought to you from the man who invented the term "Parametric Equalization", the GML 8200 has been an industry standard... View more
The API 525, originally released in the 70's, the API 525 is a "feedback" type compressor. It fits your API Lunchbox as well as any other 500 series rack. An input (threshold) control and output... View more
The Overstayer Saturator is a 100% analog dual channel harmonics and distortion processor, with tone shaping filters and multiple amplifiers for a wide of array of character. The Overstayer Saturator... View more
Based around the MLA-3 multiband compressor, the MLA-4 offers expansion on all bands too, with ratios from 6:1 compression to 1:2 expansion. The link circuits are separate, which means that you can... View more
The Thermionic Culture Phoenix Compressor SB is the famous Thermionic valve compressor sound. With side chain capabilities, it is a great choice for bus compression. The Phoenix SB is now the... View more
The vintage-style fully stereo 1974 four band Parametric Equaliser provides exceptional analogue musicality and sonic clarity, taking it's inspiration from 1970's-era gear It has the ability to... View more
Phonos is a preamplifier for record players using either moving magnet or moving coil cartridges. The equalization curve is according to RIAA and suitable for all vinyl since 1954. The RIAA filter is... View more
REQ-2.2 - Mastering is a resonance mastering equalizer. A stereo inductor based recording and mastering parametric equalizer, that operates and sounds like no other! The resonance factor. Instead of... View more
The TK Audio BC501 is the 500 series equivalent of the popular BC1 stereo bus compressor with some features borrowed from the BC2-ME mastering compressor. TK Audio's newest 500 series module, BC501... View more
The Electra is analog at its finest, and represents Kush's ongoing commitment to pushing the envelope and creating processors that fuel the creative and artistic aspects of mixing. The Electra, or... View more
The Overstayer Stereo Voltage Control Model 3722 is like having and entire mixing signal chain in a single rack space. It goes beyond the capabilities of a typical compressor/limiter and enables new... View more
The Culture Vulture Super 15 is the most comprehensive Vulture to date. It incorporates all features like 7 distortion functions and a 2 position Presence switch. The Drive switch has three positions... View more
The Dangerous Music Master is a very transparent mastering console with 2 stereo inputs, 3 stereo outputs (one for monitoring). The Deep Legacy of Dangerous Mastering Equipment. Before co-founding... View more
IBIS is an analog equalizer that boldly takes equalization to a new level of musicality. Each of its four bands features switch-selectable frequencies centered on and covering musical-step intervals... View more
The D.W. Fearn VT-7 has an all Class-A Vacuum Tube Stereo Compressor. The gain reduction elements utilize circuitry that duplicates the sound and characteristics of the finest classic vacuum tube... View more
The MEQ-5 Midrange Equalizer provides exacting control of the "power region" in program material (300 - 5000 cps) in which most of the sound energy is typically concentrated.
The Purple Audio Sweet Ten Rack is powerful 10 slot 500 series chassis. The Sweet Ten offers 2 inputs and 2 outputs per slot. Many manufacturers, including past Purple Audio prototypes, use linear... View more
This version of the classic Compex compressor features Jensen input and output transformers, offering balanced I/O, higher headroom and slightly smoother transient response. Manufactured by Q2 Audio... View more
The Heritage Audio HA73EQ JR is a fully featured Line Input module for the 500 Series. It not only shares the 3-band Equalizer with his big brother, the 1073, but also shares the same transformer... View more
The Radial Powerstrip is a 3-slot power rack for the popular 500 series, designed to create the ultimate channel strip with 500 milliamps of available current. The PowerStrip is a three module... View more
The Fatso EL7x is a full analog tape simulator and optimizer with classic knee compression. Analog warmth for a digital world. THE FATSO GOES TO ELEVEN. ELEVEN is a new compressor for the Fatso,... View more
The SA2RATE can directly cooperate with devices having a nominal output level of -10 dB, such as synthesizers, samplers, drum machines etc. The new version of SA2RATE is extended with a BOOST... View more
The Splice MKII is a single channel FET based compressor, and can be used for mono applications, or can be paired with a second SPLICEĀ MKII for stereo applications. Splice MKII FET COMPRESSOR. The... View more
Manufactured by Q2 Audio in close collaboration with Audio & Design, this remake of the classic Compex is authentic and reproduces the exact sonic qualities of the original. Using the original... View more
The ultimate "color box". As a 500-series follow-up to the Portico 5042, the 542 delivers the same thick, musical simulation of tape while drastically enhancing creative control. In addition to the... View more
The Standard Audio Stretch is a 500 Series, multi-band compression/dynamics unit based on noise reduction units from the 1970s and 1980s. Stretch emulates the sound of these classic units in their... View more
