With the LIAISON from Dangerous Music you can store and recall complex analog patches that include up to six stereo or mono analog paths. Programmable Patching in Analog. You'll experience the ease... View more
The Variable Mu Limiter Compressor is the GLUE that holds the mix together while crystallizing it into a professional, final product. All-tube, all transformer, an all-American legend. High Pass Side... View more
The Harrison 32EQ is a parametric, four band equalizer of proprietary design with a design history going back to the highly respected Harrison Consoles. This 500 series module also includes the... View more
The 535 is a 500 Series Diode-Bridge Compressor with Stepped Controls, Onboard Parallel Processing, Sidechain Highpass Filter and Stereo Linking Punchy, thick and versatile, the 535 Diode Bridge... View more
The Model V610 Complimiter can be considered an evolution of the original Model 610, utilizing the very same 601 module with updates to fit in 21st Century workflows. With amplifier stages based... View more
The ultimate "color box". As a 500-series follow-up to the Portico 5042, the 542 delivers the same thick, musical simulation of tape while drastically enhancing creative control. In addition to the... View more
Single slot blank panel, used in the API lunchbox, 500V Rack and expansion slots for the 1608. 500 Series, 1 slot Blank Panel with Studio Economik logo.
The Bricasti Design System 3 has three Bricasti M7M Reverb Processors, one M10 Remote Control and two M7-SC Cables The Bricasti M7M Reverb Processor Mainframe is an exact duplicate of the M7 Stereo... View more
The 1978 is a Stereo Tone Shaping FET Compressor with four character settings that interact with the compressor settings, it can be engaged alone or in combinations The award winning Drawmer 1978... View more
The 7X-500 is our take on the classic "1176 Sound". It can be smooth or it can be a rock'n'roll monster when using ratio 100:1 (all in). The Seven X Five Hundred is a one channel compressor/limiter.... View more
The API 527 compressor/limiter takes it's place alongside the family of API VCA based compressors, the 225L and the 2500 Stereo Bus Compressor. Anyone familiar with those units will immediately be at... View more
Originally conceived for use in API consoles of the '60s and '70s, the API 560 is a unique discrete 10 band graphic equalizer, designed to accomplish tasks that no other EQ can. Extremely fast to set... View more
SAT 500 is a single channel 500 format module with a saturation circuit, adding low order harmonics and smoothly evens the signal, all in an amazingly musical & ear friendly way. It can significantly... View more
Two Notes Audio Engineering, creator of the world's best speaker cabinet simulation, has bridged a new technological gap with the Torpedo Reload. The Reload is the ideal combination of the devices... View more
The Radial SixPack is a desk-top 6-slot power rack for the popular 500 series, designed to create the ultimate channel strip with 1600 milliamps of available current. The design begins with a heavy... View more
The legendary sound of the SSL Stereo Bus Compressor has been glueing mixes together for 35+ years...it is now available for the 500 format rack. Often imitated but never equaled, the centre section... View more
The Shelford 5052 echoes the simple and definitive 1073 feature set with a vertically-oriented mic pre, high pass filter, and 3-band inductor EQ. While also incorporating modern capabilities like the... View more
The Heritage Audio HA73EQ JR is a fully featured Line Input module for the 500 Series. It not only shares the 3-band Equalizer with his big brother, the 1073, but also shares the same transformer... View more
The SB4001 is a Quad VCA based compressor, and can be used for either stereo or mono applications. The VCA is used for the gain reduction and is a very accurate and powerful design, perfect for a... View more
The second generation of the dual channel saturator is fitted with Looptrotter's world famous solid state saturation circuit. It was created to add low order harmonics and smoothly even the signal in... View more
This unit houses two independant mono compressors, or in STEREO mode, the left-hand controls operate both audio channels, with the right-hand controls not used, giving true stereo. The C2M version... View more
A-Designs' world-class HAMMER 2 is one of a very select few audio tools that enhances sound simply by running signal through it. With an overall frequency range covering 30Hz to 40kHz, the HAMMER 2... View more
The Thermionic Culture Phoenix Compressor SB is the famous Thermionic valve compressor sound. With side chain capabilities, it is a great choice for bus compression. The Phoenix SB is now the... View more
500R8 is a 26in/28out channel USB audio interface, monitor controller, discrete analogue summing mixer, and 8-slot 500 series rack The Cranborne Audio 500R8 is the new home for 8 of your favourite... View more
This version of the classic Compex compressor features Jensen input and output transformers, offering balanced I/O, higher headroom and slightly smoother transient response. Manufactured by Q2 Audio... View more
The Level-Or MK2 is a 500 Series Limiter / Distortion Processor Standard Audio is proud to announce the release of the Level-Or Mk2 ANNIVERSARY EDITION! After 10 years of production and over 1,000... View more
The new E Series Dynamics Module for 500 Series racks reproduces the legendary sonic signature of an early 80's classic, the SL 4000 E console channel strip. The SSL E Series Dynamics Module features... View more
Weiss DS1-MK3, the reference when it comes to digital mastering Compressors and De-Essers. A versatile single band limiter/compressor with M/S mode and Parallel Compression. The Weiss 102 Series... View more
The 2254/R is a rack mount classic mono Limiter/Compressor. Version of the legendary 2254, plus manually adjustable Fast Attack Time, clipping indication and storable settings Designed in 1969, the... View more
