The Elysia Mpressor 500 series has one channel compressor with auto fast attack, 'Anti Log' release, negative ratios, gain reduction limiter and THD Boost Harmonic Enhancement The Mpressor 500 brings... View more
The TK-lizer 2 is a Baxandall type of EQ, high and low bands are selectable between shelving or peak, very useful for tuning of your lows, mids and highs. The TK-lizer 2 also has a built-in M/S... View more
The new E Series Dynamics Module for 500 Series racks reproduces the legendary sonic signature of an early 80's classic, the SL 4000 E console channel strip. The SSL E Series Dynamics Module features... View more
Weiss DS1-MK3, the reference when it comes to digital mastering Compressors and De-Essers. A versatile single band limiter/compressor with M/S mode and Parallel Compression. The Weiss 102 Series... View more
The UBK Fatso makes easy work of the most difficult and mysterious process in sound engineering: dynamics control and transient shaping Designed to give the operator the most unflinchingly musical... View more
The Model 610 is the original version of the Classic Compressor And Peak Limiter. It utilizes the 601 compressor/limiter module, with a 101 Preamplifier for make-up gain Two 610 Complimiters can be... View more
The Overstayer M-A-S Model 8101 was designed to be an analog 'more' control. More color, more harmonics, more tone. With Rotary Switches. It gives you the harmonic character and peak rounding of... View more
The TUBE-TECH HLT 2A is a stereo equilizer featuring active low and high shelving EQ, a passive T-filter plus passive Hi/Lo cut filters and an overall bypass switch. The shelving EQ's are designed... View more
IBIS is an analog equalizer that boldly takes equalization to a new level of musicality. Each of its four bands features switch-selectable frequencies centered on and covering musical-step intervals... View more
There's never been a compact effects box like Eclipse. From the amazing range and depth of its algorithms to its comprehensive array of analog and digital I/O ports. Dual Effects Block Architecture.... View more
The Electra is analog at its finest, and represents Kush's ongoing commitment to pushing the envelope and creating processors that fuel the creative and artistic aspects of mixing. The Electra, or... View more
The Avedis Audio E27 EQ fits in all 500 series major brand racks, lunchboxes, consoles, and rackmounts. The E27 is not a clone or a reproduction of anything else. The E27 was created for the need of... View more
The Bricasti M7M Reverb Processor Mainframe is an exact duplicate of the M7 Stereo Reverb Processor with reduced front panel controls, it is necessary to have an M10 for control. The new Bricasti... View more
GML 8200 is a Two-channel five-band parametric EQ. Includes 8355 Power Supply. Brought to you from the man who invented the term "Parametric Equalization", the GML 8200 has been an industry standard... View more
The API 525, originally released in the 70's, the API 525 is a "feedback" type compressor. It fits your API Lunchbox as well as any other 500 series rack. An input (threshold) control and output... View more
Manufactured by Q2 Audio in close collaboration with Audio & Design, the F765 is a remake of the F760-N module and has now been adapted to the 500 series modular rack system It is authentic in every... View more
REQ-2.2 - Mastering is a resonance mastering equalizer. A stereo inductor based recording and mastering parametric equalizer, that operates and sounds like no other! The resonance factor. Instead of... View more
The Overstayer Saturator is a 100% analog dual channel harmonics and distortion processor, with tone shaping filters and multiple amplifiers for a wide of array of character. The Overstayer Saturator... View more
The Cranesong Insigna is a 500-series module tube EQ designed by Dave Hill and comes from a long line of industry standard, high quality audio hardware. The unit is based around a dual triode circuit... View more
The Radial Powerstrip is a 3-slot power rack for the popular 500 series, designed to create the ultimate channel strip with 500 milliamps of available current. The PowerStrip is a three module... View more
The Phonos is a preamplifier for record players using either moving magnet or moving coil cartridges. The equalization curve is according to RIAA and suitable for all vinyl since 1954. The RIAA... View more
Load up your 500 Series rack with some dbx 560A Compressor/Limiters and go to work! The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series... View more
The Dangerous Music Master is a very transparent mastering console with 2 stereo inputs, 3 stereo outputs (one for monitoring). The Deep Legacy of Dangerous Mastering Equipment. Before co-founding... View more
The TK Audio BC501 is the 500 series equivalent of the popular BC1 stereo bus compressor with some features borrowed from the BC2-ME mastering compressor. TK Audio's newest 500 series module, BC501... View more
The Culture Vulture Super 15 is the most comprehensive Vulture to date. It incorporates all features like 7 distortion functions and a 2 position Presence switch. The Drive switch has three positions... View more
The D.W. Fearn VT-7 has an all Class-A Vacuum Tube Stereo Compressor. The gain reduction elements utilize circuitry that duplicates the sound and characteristics of the finest classic vacuum tube... View more
The Overstayer Stereo Voltage Control Model 3722 is like having and entire mixing signal chain in a single rack space. It goes beyond the capabilities of a typical compressor/limiter and enables new... View more
The Purple Audio Sweet Ten Rack is powerful 10 slot 500 series chassis. The Sweet Ten offers 2 inputs and 2 outputs per slot. Many manufacturers, including past Purple Audio prototypes, use linear... View more
The COMP-3A Jr is a one channel vintage style Compressor / Leveler. The signal path uses only discrete components like resistors, capacitors, diodes and transistors. The input and output is... View more
The MEQ-5 Midrange Equalizer provides exacting control of the "power region" in program material (300 - 5000 cps) in which most of the sound energy is typically concentrated.
