Empirical Labs FATSO and FATSO EL7X Threshold Controller Expand the range of your FATSO and fine-tune the relationship between the Compression and Saturation circuits with the EL-FTC FATSO Threshold... View more
Modernized 500-series FET limiting amplifier based on the classic '76 FET compressor/limiter Black Lion didn't sacrifice one ounce of tone when they shrunk down their classic Seventeen compressor to... View more
System package: one M10 remote console with two M7M reverb processors complete with 10m serial cableand 25cm interconnect cable The Bricasti M7M Reverb Processor Mainframe is an exact duplicate of... View more
8 Channel Rack with PSU and Power Supply 48v. The BAE (formerly Brent Averill Enterprises) 8 Module Powered Rack can be used with any Neve 1073-style modules including:. Brent Averill 1023 . Brent... View more
Analog passive EQ with seven frequency controlled with stepped rotary switches capable of a boost or cut of 8db in 1dB increments, or a flat response The MOTORCITY EQualizer is a completely analog,... View more
Add-on to the UnFairchild 670m mkII with wet/dry mix, feedforward/feedback mix, HP filtering for sidechain, output gain control The UNFa-1 Accessory is an add-on to the UnFairchild 670m mkII vari-mu... View more
EMPEROR 500 is an analog dynamics processor, which depending on the settings, can work as a compressor, limiter or harmonics distortion generator. It was designed for creating the original, vivid,... View more
The dual-channel PASSEQ (Model 1650/1654) is the resolute evolution of the highly acclaimed predecessor Model 2595. The new PASSEQ now features Air band, a stepped output control ranging from -10dB... View more
500-Series 2254 Vintage Style Compressor The COMP-554 is a one-channel vintage style compressor for the 500-format. The signal path uses only discrete components like resistors, capacitors and... View more
Mono compressor, 500 Series, non-linkable The Chandler Little Devil Compressor combines elements of our LTD-2 and Germanium Compressor as well as 2264 and 33609 units. This compressor gives you a... View more
The VSE-2 a.k.a. The Discrete Gyrator EQ, is another big impact design and is setting a new benchmark for Tracking, Mix-Bus and Mastering applications. Unlike other EQs on the market the VSE-2 is... View more
The DMC console has 4 stereo inputs and 4 stereo sources with 2 stereo recording outputs as well as 3 stereo and 2 mono speaker outputs that can be expanded with the MC16 controlle Mastering Console.... View more
The Mastering Version of the SLAM! features the stereo ELOP and FET limiters in tandem dedicated for mastering controlled by precision switches instead of pots. Proudly from our beginning, we at... View more
High frequency peaking/shelving section of the industry-standard NSEQ-4 in a 500 Series module Thousands upon thousands of professional engineers use the discrete JFET Class A NSEQ parametric EQ in... View more
Stereo Tube/Solid-state Limiter Compressor with Stereo Link The Manley Nu Mu Stereo Limiter Compressor uses the special T-Bar mod tube front end of the legendary Variable Mu with same super smooth... View more
The TUBE-TECH CL 2A is an all-tube optical compressor with two independent, linkable channels. CL 2A is a two channel all-tube opto compressor, featuring two independent channels. The optical gain... View more
B172A Hybrid F.E.T. Opto Compressor Black Lion Audio, having hit the mark with the widely adored Seventeen compressor, has struck again, combining the Seventeen's F.E.T. circuitry with a worthy... View more
Dual-Band De-Esser 500 Series module. Back in the 1990's, we developed an alternative way to process signals based on phase cancellation in order to reduce sibilance. Unlike traditional compression... View more
TK-lizer 500 features all the power of TK's flagship TK-lizer dual mono EQ, including the M/S functionality that has made it such a staple in studios all over the world. A few minor additions include... View more
2 channel tube compressor with Field Effect Transistor (FET) based gain reduction circuit The API Select T25 is a classic 2-channel, FET feedback-style compressor/limiter with a Class-A tube output... View more
The RV-1 Real Reverb employs innovative new circuit technology with two Accutronics, classic, full-size, 6 spring reverb tanks. Winner of the Pro Audio Review Excellence Award. For the first time in... View more
Symmetric transformer balanced compressor, Series 500 rack Master of the dirty sound. The TUBECORE 500 is a full symmetric transformer balanced 500-series compressor. The structure is based on the... View more
Manufactured by Q2 Audio in close collaboration with Audio & Design, the F765 is a remake of the F760-N module and has now been adapted to the 500 series modular rack system It is authentic in every... View more
Single channel FET based mono compressor Splice MKII FET COMPRESSOR. The Splice MKII's unique circuitry mode switching allows the user to configure the input & output audio path circuitry between... View more
The SOC-M mastering version replaces the DRIVE and GAIN pots of the SOC-20 with stepped Elma attenuators for repeatability. Black color faceplate. We have also adjusted the RATIO's to suit mastering... View more
The Smart Research C1 Dual/Stereo Compressor is the original black front panel version of Smart Research C2 compressor. With Two sets of controls and two audio channels, but no sidechain inputs, or... View more
Genuine Neve rack & PSU (empty) - houses 8 modules vertically The AMS Neve 1081 Vertical Rack is an 8-channel, 7U empty power rack for the AMS Neve 1073, 1081, 1084, and 2264A modules, with phantom... View more
Faithful recreation of the original four band Trident A-Range EQ in a 500 Series module The legendary A-Range equaliser holds a unique place in audio history, with a stunningly musical sound that... View more
The COMP-3A Jr is a one channel vintage style Compressor / Leveler. The signal path uses only discrete components like resistors, capacitors, diodes and transistors. The input and output is... View more
The Transient Designer is a whole new dynamic tool. It allows you to re-shape the transient response and the envelope curve of any audio signal with just 2 knobs: Attack & Sustain. With no effort you... View more
