4-Band EQ based on the APSI 562 with 12dB of boost cut and continuously variable frequency and gain on each band The API Select SV14 EQ circuit design is likewise rooted in API's history. Faithfully... View more
Functioning as an updated stereo version of our 7X-500 compressor and geared toward mix and drum buss duties. The 77X-500 500 Series Stereo Compressor provides the same 1176-style compression as its... View more
The dbx 231s includes two 31-band channels of 1/3-octave equalization, 12 dB input gain, switchable 6 dB or 12 dB boost/cut range, 20mm nonconductive sliders. When the pros need an EQ, they turn to... View more
The Elysia Mpressor is a new tool for creative dynamics processing. The circuit design of the Mpressor is completely based on discrete analog technology. On top of the tried and tested standard... View more
The DL441 Quad Auto Compressor/Limiter captures four channels of Drawmer's innovative DL241 'Auto Compressor' in only 1U of rack space. The inclusion of new sophisticated 'automated' circuitry allows... View more
2-Channel vacuum tube microphone/instrument preamplifier/compressor with eight active tube stages The Drawmer 1960 is a two channel unit with each channel comprised of a completely natural sounding... View more
1U, 4-band parametric EQ with de-esser, includes transformerless (clean) and transformer (warm) outputs. Combine with Mike-E to create anEmpirical Labs channel strip! Instead of daisy chaining... View more
The Electrodyne 2511 (Two Electrodyne 511 two-band inductor EQs in a 19" chassis) is a classic two-band discrete transistor reciprocal active inductor equalizer, which was first introduced in 1970.... View more
The Summit Audio TLA-100A Tube Leveling Amplifier is a classic design with a technological hybrid of vacuum tube and solid state devices. The harmonious blend of old and new technologies produces the... View more
The dbx 530 Parametric EQ offers a unique degree of equalization flexibility in the popular 500 Series format. Based upon the classic dbx 905, the dbx 530 is an uncompromising equalizer offering... View more
Add the warm sound of classic Summit Audio compression to your music with the TLA-50 Tube Leveling Amplifier, the newest offering from the first name in vacuum tube processing. This single channel... View more
The Overstayer Stereo Field Effect Model 3706 Limiter/Compressor is an evolution of our passion for FET compressors and classic analog recording chains. The Stereo Field Effect, or SFE, is a stereo... View more
The PEX Five Hundred "Vintage Edition" is a one channel transformer coupled Passive Pultec inspired Equalizer. It's an all discrete design based upon our hybrid amplifier. Drop a PEX-500VIN "Vintage... View more
500 Series, mono channel strip featuring Class A, discrete line amp, 10 Megaohm DI, Class A, discrete output amp, Custom wound UK output transformer, Pivot "tilt style EQ" Pivot TC/500 uses a... View more
The VT-4 is an effect processor for the instrument inside us all-the human voice. And like the human voice, the VT-4 is easy to use, yet devastatingly effective. Whether you're a solo electronic... View more
Rack adaptor for SA series, Firefly, Prodigy - holds 1 or 2 in a single 19" space The SA19-RA rack mount adaptor is a hardware kit that allows SA series, Firefly, Prodigy products to be mounted in a... View more
Six slot, professional, rack-mountable 500 series powered enclosure featuring Heritage Audio's On Slot Technology for maximum protection, filtering, and isolation to each channel The OST-6 V2.0 500... View more
The Gyraf Audio Gyratec X is a true tube stereo compressor based on the classic variable-mu principle This method - controlling the gain by altering quesient current in differential tube pairs - is... View more
The Hi-Lo is not just a filter. Trident Audio has created an analog adaptive filtering circuit for the 500 Series format. The Trident Hi-Lo, an adaptive Hi-Cut/Lo-Cut frequency filtering module that... View more
500 Series, Mono VCA compressor & gate This product was originally conceived 20 years ago by David Rees but was never fully released. The Phoenix N90-DRC/500 compressor/gate is designed around a VCA... View more
The Lexicon PCM96 Surround Digital I/O features 6 XLR Stereo AES inputs and outputs, MIDI, Wordclock, Ethernet, and FireWire. Building on the success of the PCM96, the new PCM96 Surround offers more... View more
The TUBE-TECH ME 1B is a passive, all-tube midrange EQ based on the legendary Pultech MEQ5, featuring two boost and one dip section The bandwidth of the ME1B sections is designed broader than in the... View more
The Phoenix HG 15 as the same gentle "variable mu" type compression curve, though it becomes near to a limiter at high compression levels. The gain has been boosted to suit mic inputs, particularly... View more
Single channel digitally controlled, analog driven EQ This "desktop" (and rackable) digitally controlled analog parametric EQ offers similar topology to vintage 1081/1083 models, but with welcome... View more
The Purple Audio Action is a FET compressor reminiscent of the MC77. Designed to work in standard "500" racks. The Action features a constant impedance 600 ohm input attenuator feeding the input... View more
BAE 6 Module Lunchbox w/ psu and 48v Phantom for 500 series modules. With the 500 series being as popular as it is, you need to be sure that you have the best vehicle for it. IS IT HANDWIRED DOES IT... View more
Single channel '500' series rack module pulse width modulated compressor/limiter The Great River PWM-501 uses a unique Pulse Width Modulator as the gain control element, delivering the speed of the... View more
The STX 500 is the rebirth of the Model 500 2-band passive equalizer. The STX 500 has four frequency selections per band and up to 12dB of boost/cut in 2dB increments This passive EQ becomes the... View more
70's style, Class A, dual transformer, stereo compressor American Jensen transformers for a clean uncolored soundBritish made Sowter transformers for extra rich musical harmonics5 position step... View more
