Dynamics effects processor with dynamic reversal, function control, side chain, gating, expansion, compression, and limiting In 1973, Eventide Clockworks introduced the Omnipressor, the first studio... View more
All-tube, transformer-balanced optical compressor Tube-Opto Tone With Extended Control: Delivering that revered "forgiving" musical compression with the added speed and control functionality, the... View more
Fully analog FET compressor with 24dBu of headroom and digital recall Next generation FET compressor with digital recall and automation. FET compressors have been an essential tool in recording... View more
Optical tube compressor with all tube-based amplification stage and transformer balanced Input & Output Optical Tube Compressors have been the choice of seasoned engineers and producers for recording... View more
Tube-driven optical compressor and limiter with USA-made transformer and Black Lion T4BLA opto element 60 Years of History in your Studio, Today.. We meticulously engineered the LiN2A to faithfully... View more
Mono tube compressor, linkable, 2 space 19" Rackmount,Stepped I/O control switches, Internal PSU The Chandler Limited RS660 Compressor is a handmade, mono/linkable, transformer-balanced valve (vacuum... View more
American 1176 compressor with USA-made transformers and variable attack and release times DECADES OF DYNAMICS PROCESSING. The LiN 76 has been carefully designed to recreate the timbres of nuances of... View more
Compressor/limiter based on the Model 610 Complimiter with completely separate peak-limiting and compression functions The Spectra 1964 Model C610 Complimiter. True to the original, the C610 still... View more
Mono FET compressor Boreal FET Compressor TAKE 2 has been designed to provide your sound with a high dynamic control, optimal for the most state-of-the-art professional recordings.. Voices... View more
VCA based 500 Series compressor/limiter, improved version of the API 527 The API 527A Compressor/Limiter takes its place alongside the family of API VCA based compressors, including the 225L... View more
All tube vari-mu compressor with Carnhill transformers and single/double/triple mode of operation As always It's all about compression so we've created "Timbre" - an all tube vari-mu compressor based... View more
Class A, FET compressor/limiter with Modern and Vintage modes The introduction of several significant structural improvements against the original version.. One of the most important changes is two... View more
Add-on to the UnFairchild 670m mkII with wet/dry mix, feedforward/feedback mix, HP filtering for sidechain, output gain control The UNFa-1 Accessory is an add-on to the UnFairchild 670m mkII vari-mu... View more
Monophonic FET limiting amplifier, six Ratio settings, Slam Mode independent from the Ratio, adjustable Attack and Release The ALTER 500 is a FET compressor built in the 500 standard. The FET-type... View more
Analog compressor & EQ featuring dual compressor stages and dual-band, boost-only EQ. The Maag Audio MAGNUM-K is a single channel Compressor built to complement the audio engineer's craft in a very... View more
Modified "Blue Stripe" compressor based off of the "golden" unit owned by Chris Lord-Alge When certain components became unavailable, techs were forced to change the circuit, creating a one of a kind... View more
Successor to the original Doublewide tube compressor featuring faster attack and release time, advanced stereo linking capabilities, and improved signal -just like the original Retro DOUBLEWIDE... View more
The Gyraf Audio G24 is an entirely new type of stereo compressor - aimed at mix and mastering functions. "Passive/Aggressive" Compressor Similar to it's sister and predecessor, the G23 EQ, it's for... View more
The COMP-3A Jr is a one channel vintage style Compressor / Leveler. The signal path uses only discrete components like resistors, capacitors, diodes and transistors. The input and output is... View more
Single channel FET based mono compressor Splice MKII FET COMPRESSOR. The Splice MKII's unique circuitry mode switching allows the user to configure the input & output audio path circuitry between... View more
Classic '76 FET compressor/limiter with improved and redesigned IC-based front end and custom-designed, made in Chicago output transformer The Seventeen is not the '76 compressor that your... View more
1-channel Solid-state Electro-optical Compressor with Program-dependent Attack and Release Times, XLR and TRS I/O and External Power Supply The LA-2A (tube version) and LA-3A (solid state version)... View more
Designed for hi-Z instrument use, the 611 Series Complimiters are compact and simplified. Still utilizing the 601 compressor/limiter module, the 611 has no make-up gain stage. Spectra Sonics is known... View more
The Model V610 Complimiter can be considered an evolution of the original Model 610, utilizing the very same 601 module with updates to fit in 21st Century workflows. With amplifier stages based... View more
Dual-Band De-Esser 500 Series module. Back in the 1990's, we developed an alternative way to process signals based on phase cancellation in order to reduce sibilance. Unlike traditional compression... View more
With the Transient Designer TDx the level-independent processing of signal paths is making headway into the world of 500 series rack modules. Working with the Transient Designer is very simple:... View more
2A style transformer balanced opto tube compressor with premium grade input and output CineMag USA Transformers and USA made Kenetek opto attenuator It also features custom, large-core Cinemag input... View more