The JDK Audio V14 is an extremely high quality,; single channel 4-Band Equalizer designed for the popular API VPR500 Rack format. The eq features continuously variable adjustment of frequency and... View more
The A-Designs P-1 has the highest fidelity of Audio 500 preamps, capturing the mojo of its older and larger sibling, the extremely popular Pacifica. It has a big low end, slightly forward midrange... View more
The A-Range is a faithful recreation of the original four band Trident A-Range eq in a 500 Series module that adds the unique Trident signature to any programme material. The legendary A-Range... View more
Based on the Portico 5017 Mobile Pre, the 517 provides world-class transformer-coupled micpreamp, compressor and DI circuitry with Vari-phase, "Silk" and DI/mic blending. Mic Pre and Instrument... View more
The 500C Fet Compressor features controls for input and output gain, plus the four selectable, time-honored compression rations of 4:1, 8:1, 12:1, and 20:1. In addition to taming peaks, its premium... View more
The Series 80B 500 Series EQ incorporates a classic four band equaliser which is identicalto that employed in the Trident Series 80 console. It consists of frequency switchable high and low pass... View more
The PEX Five Hundred is a one channel transformer coupled Passive Pultec inspired Equalizer. It's an all discrete design based upon our hybrid amplifier. The Equalizer is our take on the magical... View more
The Chandler Little Devil Compressor combines elements of our LTD-2 and Germanium Compressor as well as 2264 and 33609 units. This compressor gives you a powerful package. CHANDLER LIMITED furiously... View more
The first entry by ELI into the 500 series format, the DerrEsser is a multi function dynamic filtering device. Vertical oriented front plate. The first entry by ELI into the 500 series format, the... View more
The STX 100 is a 500 Series version of the classic Spectra Sonics 101 amplifier circuit with a high-bandwidth mic preamp with 64dB of gain and a 10Hz to 50KHz frequency response A 10dB input pad and... View more
The Radial Powerhouse is a 10-slot power rack for 500 series modules designed to provide maximum density for professional studio setups. The Powerhouse is a 10 module 500 series power-rack designed... View more
The A-Designs EM-PEQ, the classic all-tube Pultec EQP-1A goes down on the record books as one of the most venerated equalizers of all time. One of the most venerated equalizers of all time, the... View more
TK-lizer 500 features all the power of TK's flagship TK-lizer dual mono EQ, including the M/S functionality that has made it such a staple in studios all over the world. A few minor additions include... View more
This is a 500 series channel strip featuring a balanced line level signal processor using our class A discrete buffer amp from the Nicerizer summing, 10meg ohm DI & a 'see-saw' EQ Pivot TC/500 uses a... View more
The Chandler Germ 500 MKII is an updated version of our original Germ 500 preamp. It uses classic germanium transistors in all Class A, transformer balanced circuits. CHANDLER LIMITED furiously... View more
The Avedis MD7 is 500 series preamp with 64 dB of gain in 4dB step increments and input trim control. It also features a Send/Return for outboard insert capability. Gain range from 0dB - 64dB in 4dB... View more
The Little Devil EQ is a small package with a huge sound. It is a Chandlerized British console sound in a 500 package. It will take your lunchbox or rack system to the next level! CHANDLER LIMITED... View more
Add warmth and definition to your microphones with the dbx 580 Microphone Preamp! The dbx 580 Microphone Preamp is the perfect partner to your microphones, providing sonically-transparent gain that... View more
The PRE-573 MKII Plus is a 1073-Style Microphone Preamp boasts a 1073 sound in a 500 series lunchbox form. The "Plus" version includes Carnhill transformers at the input & output. The unit is one... View more
The STX 500 is the rebirth of the Model 500 2-band passive equalizer. The STX 500 has four frequency selections per band and up to 12dB of boost/cut in 2dB increments This passive EQ becomes the... View more
The TX5C is a 500 series design from Paul Wolff that addresses the complex issues with compression. With the ability to do in-module parallel mixing of the dry signal and the compressed signal, the... View more
The Burl B1D is the same as the B1 except that it has an all iron BX4 output transformer giving it a more terrifying rock tone. Single channel mic pre for 500-series. An all discrete transistor,... View more
The SixP19-RA is a rack mount kit designed to allow the SixPack 500 series power frame to be mounted in standard 19" equipment racks The kit can also be used for in-desk mounting with a choice of... View more
The Burl B1 gets the best out of any microphone, whether it be dynamic, condenser or ribbon. The B1 come complete with both Gain and Level controls. Based on the API 500 series. Introducing the B1... View more
The dbx 520 will help you expertly tame the excessive sibilance often found in vocals and other high frequency dense material. Based upon the legendary dbx 902, the dbx 520's unique features make it... View more
The 545 is a 500 series Primary Source Enhancer Delivering the world's most natural feedback reduction and adding focus to your primary sources, the 545 is a truly unique tool for improving your live... View more
The Grace Design m501 is our 500 series module version of the venerable m101 mic preamplifier. The signature transparency and detail of our circuit designs in 500 series. While the 500 series market... View more
The dbx 530 Parametric EQ offers a unique degree of equalization flexibility in the popular 500 Series format. Based upon the classic dbx 905, the dbx 530 is an uncompromising equalizer offering... View more
The Chandler Little Devil Preamp has a transformer balanced line in for using the Devil as a color box on mixes or tracks, low cut; bright switch and more! CHANDLER LIMITED furiously enters the 500... View more
Dual-Band De-Esser 500 Series module. Back in the 1990's, we developed an alternative way to process signals based on phase cancellation in order to reduce sibilance. Unlike traditional compression... View more
