UPC/EAN #3760390810036     MPN #DMON    

$9710.00

Financing available
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Multichannel processor featuring Trinnov Optimizer technology, EUCON integration for Avid Pro Tools and processing capability from stereo up to Dolby Atmos, base unit



The D-MON Series is a new range of Digital Monitoring Processors, with the acclaimed Optimizer room correction and EUCON integration for AVID Pro Tools systems. The D-MON will fit exactly into your studio configuration. Whatever your speaker sets may be, whether your mixes are in stereo, 5.1, 7.1 or even Dolby Atmos up to 9.3.6.

MODULAR AND UPGRADABLE
The D-MON series redefines professional audio monitoring.

Comprehensive feature set and unforessen flexibility makes it one of the most sustainable monitoring solution ever designed.

D-MON supports from 6 up to 18 acoustic Optimization channels. Start with what you need and upgrade later via software update. 6 Optimizer channels are included on the base unit and it is upgradeable for up to 18 Optimizer channels.

TRINNOV OPTIMIZER
Our world-renowned room correction Optimizer Technology is recognized as best-in-class by users and reviewers across the professional, commercial cinema and high-end audio worlds.

Introduced to the pro audio market in 2006, its revolutionary solution was quickly embraced by many of the most demanding music, broadcast and post-production sound engineers.

Optimizer technology is now used in nearly 2,000 studios across the globe with nearly 10,000 high-performance installations worldwide.

MULTIPLE SPEAKER SETS
D-MON is a powerful processor when it comes to integrating multiple speaker sets

You can not only optimize up to 18 speakers but also mix and match them in any way or form.

Use your main sub with your near fields, create a 5.1 out of two sets or optimize only your surrounds, the possibilities are endless.

PERFECT MATCH FOR DOLBY ATMOS
D-MON meets Dolby's requirements for Atmos.
Whether you mix TV or Music content, D-MON accomodates any Atmos Home speaker layouts.
Optimize any system from 5.1.4 up to 9.3.6.

MATRIX BASS MANAGEMENT
D-MON supports and helps with the integration of multiple subwoofers.
Bass manage any speaker to one or multiple subwoofers.
Advanced management system with custom filter details (freq, slope, shape)

INTEGRATES WITH AUDIO OVER IP
Ravenna/AES 67 support, compatible with Aneman
Dante compatibility mode
Add an extra 16in/16outs at 48kHz to every D-MON processor

ENHANCED MONITORING
? Both Analog and Digital professional inputs and outputs
? Integrates easily from MIDI and GPIO to Avid and EUCON protocols.
? A zero latency Switching Matrix to route all signals.
? An Internal Mixer which can create various sums of stems.
? Trinnov?s Optimizer to perfectly tune any speaker sets.

MADE FOR ONE ANOTHER
Our brand-new hardware remote controller ?La Remote? is the perfect companion to our D-MON.
  • Access all monitoring function by the touch of a button.
  • Customize all buttons and labels to your workflow.
  • Easy set-up via our web-based configuration software.
  • Added talk back microphone and headphone volume knob.
  • 6 Optimizer channels included on the base unit upgradeable up to 18 channels
  • Latency-free Audio Routing Matrix, User assignable Functions (Main, Alt, Cues, Talk-Back, Listen-Back...,)
  • 16 channels low latency mixer
  • Full control via Trinnov La Remote
  • Eucon compatible, ICON DControl/DCommand compatible. Custom integration via midi or GPIO
  • All OPTIMIZER functions for best Room Correction from Stereo to full Atmos 9.3.6 Speaker Sets
  • AoIP RAVENNA, with DANTE compatibility via AES67 (48 KHz) (software upgrade from Dec. 1st 2021)
  • Matrix Bass Management, with several subwoofers per speaker-set (software upgrade from Dec. 1st 2021, for previous and new machines)
  • DIGITAL AUDIO CONNECTIVITY
    AES3 Outputs (DB25) Tascam Pinout: x16
    AES3 Outputs (DB25) Tascam Pinout: x16
    Ravenna/AES67: 16 inputs/16 outputs
    Dante compatibility: Yes (48kHz)
    Wordclock (BNC): x1 Input, x1 Output

    ANALOGUE AUDIO CONNECTIVITY
    Balanced inputs (DB25): x8
    Balanced outputs (DB25): x16
    Balanced outputs (XLR): x8

    AUDIO OVER IP CONNECTIVITY
    Ravenna / AES67: 16 inputs/16 outputs
    Dante Compatibility: Yes (48kHz)
    PTP Leader Clock: No (sync via AES/EBU or WC)

    MULTI PURPOSE I/O (DB25)
    General purpose control inputs: x2
    General purpose control outputs: x1
    Talk Back / Listen Back inputs: Balanced inc. 36V Phantom power
    Headphones output: x1 unbalanced
    MIDI: x1 Input, x1 Output

    SWITCHING & SUMMING
    Sources: 8 Cues/TB/LB
    Monitor Selection: Programmable presets & profiles
    Switching: Any input, bus or Optimizer out to any physical out
    Summing: 18 in / 16 bus

    AUDIO PROCESSING
    Native resolution (up to 12 channels): 96kHz
    Native resolution (above 12 channels): 48Khz
    Per channel: 31 band EQ, FIR EQ, gain, polarity and delay
    Per channel delay setting: Meters / Milliseconds / Frames
    Global delay setting: Meters / Milliseconds / Frames

    AUDIO PERFORMANCE
    ADC Resolution / Sampling Rate: 24 Bits/96 kHz
    DAC Resolution / Sampling Rate: 24 Bits/96 kHz
    A/D Signal-To-Noise Ratio: 119 dB (A-Weighted)
    D/A Signal-To-Noise Ratio: 118 dB (A-Weighted)
    Processing Sampling Rate: Native, up to 96kHz
    Processing Resolution: 64 bits floating point
    Clock / Jitter: attenuation > 50 dB Above 100Hz

    POWER SUPPLY
    Power requirement: 240V / 110V - 50 / 60Hz (Manual Switch)
    Power consumption: 60W
    Mains fuse: 1A slow blow
    Analogue section PSU: Dedicated linear PSU with toroidal transformer
    Digital section PSU: Switch-mode PSU

    WEIGHT & DIMENSIONS
    Dimensions (W x H x D) mm: 444 x 89 x 405
    Dimensions (W x H x D) inches: 17 1/2" x 3 1/2" x 16"
    Shipping box dimensions (W x H x D) cm: 68 x 56 x 21
    Weight: 9.60kg / 21.1 lbs
    Shipping weight / volume: 12.50 kg / 0.08 M3
    Rackmounting: 2U - Fixed Rack Ears
    5.0
    Jeff
    Kelowna
    May 3, 2023
    Best piece of studio gear in 20 years!
    I have used several room correction systems including Anthem ARC, Dirac Live, and SonarWorks (older version). They all have their merits, but the Trinnov room correction is VERY different. Quite remarkable. Astounding how it snaps the image into focus, with the phase correction obviously working magic far beyond simply putting a custom EQ on things. Read more
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