Rupert Neve Designs 5211
Simple and elegant, the 5211 is the natural evolution of what is arguably the most famous gear in audio recording history: Rupert Neve's microphone preamps.
With two channels of the classic tone you know and love, 72dB of gain, sweepable high-pass filters for precise control, and the power of Mr. Rupert Neve's dual-tap transformers with variable Silk saturation, the 5211 delivers a versatile, flattering, and uncompromising front end for any signal path. In short, it's everything a mic preamp should be.
History and Evolution
The very first product from Rupert Neve Designs was the beloved 5012 Duo Mic Preamp, and the 5211 represents a dramatic evolution of the 5012's features, circuit design and form factor, all brought together with the custom output transformer from the flagship Shelford Channel.
First amongst the updates is the addition of variable Silk, which saturates the class-A output stage in the way that only a Rupert Neve Design can. This dials the harmonic content up to and beyond that of Rupert's classic designs, while still providing the option of a pristine, open & modern sound when disengaged. The amplifier circuity has also been refined and updated with higher voltage +/-21V rails for improved signal-to-noise ratio, superb headroom and tremendous dynamic range - a hallmark of Rupert's evolved designs over the last several decades.
Complementing the Silk circuit is the custom-designed output transformer from the renowned Shelford Channel, which uses Rupert Neve Designs' dual-tap output topology. This offers both full-headroom (+26dBu) and -6dB outputs, allowing the engineer to drive the unit fully into classic transformer saturation without clipping converters and other devices later in the chain. The 19" 1U chassis provides the space required for a robust internal auto-switching power supply, which provides ample, stable power anywhere in the world. Finally, the faceplate has been powder-coated in the distinctive "Shelford" color for an unmistakably classic look.
The "Best of Both Worlds" Design
Unlike the Shelford Channel, which uses a mic input transformer for a more vintage topology, the 5211's input is fully transformerless, maximizing signal clarity direct from the microphone. Combined with the more extreme saturation from both variable Silk and the custom output transformer's lower-headroom tap, the 5211 is capable of producing tones ranging from thick & warm to breathtakingly delicate & clear. It's the best of old and new alike.
The microphone input is balanced but not floating, using a Transformer-Like-Amplifier (T.L.A.) configuration to capture the microphone's signal in as pure a manner as possible. With the +48V phantom voltage switched off, this input serves as an extremely high quality line input with an impedance of 10K Ohms. Each channel features 72dB of extraordinarily low-distortion, low-noise gain using a stepped switch in 6dB increments with a continuously variable +/-6dB trim. Individually selectable polarity, +48V phantom power, and a swept high-pass filter from 20-250Hz are available to further control the input, with Silk control available for the outputs.
What is Silk In brief, Silk is a tonal option applied within the unit's output stage that manipulates the signal's harmonic content to create the sonic character associated with Rupert Neve's vintage modules. By reducing negative feedback and saturating the output transformer while adjusting the frequency spectrum, Silk provides a sweet, musical enhancement of the input signal - and when the level is driven to the edge of its headroom, the Silk's effect is multiplied.
A 12-way precision rotary switch controls gain from 0 to 66 dB in 6 dB steps.
Continuously variable +/-6 dB level control.
SILK / TEXTURE
Pushing the Silk button engages the red Silk circuit, which reduces the negative feedback on the output transformer, adding harmonic content as the texture is increased. Red Silk accentuates the saturation in the mid and high frequencies, similar to that of the red silk mode on the Shelford Channel. By manipulating the Texture control, the amount of Silk can be changed from essentially absent, to roughly 10 times the amount of coloration / distortion found in Silk from the original Portico Series. With Silk / Texture engaged, the distortion characteristic and harmonic content of the unit are very reminiscent of many of Rupert's vintage class-A designs.
An eight-segment LED bar-graph meter displays output level (pre-Silk). from -30 dBu to +22 dBu.
Reverses the polarity of the input signal.
High Pass Filter
Continuously variable from 20Hz to 250 Hz, and engaged with the HPF button.
Provides 48V phantom power to microphones.
A secondary split off the output transformer with a lower headroom, designed to allow engineers to fully drive the output of the 5211 without clipping converters and other devices.
September 22, 2019
The 5211 is an amazing piece of gear. Pulling it out of the box, the unit feels solid with great components - all the dials and button feel solid and strong.
The sound of this pre (without the Silk feature) is amazingly clean and quiet. I've used it mostly on vocals and acoustic guitar so far and it's been great. Read more
Plug a Shure KSM 44a into this and you'll have one of the cleanest sounds possible.
Two of the best features on the the 5211 are the variable high pass filter, and Silk option. The high pass filter can be completely disengaged, or, push the button and cut the low end anywhere from 250hz down to 20hz - VERY handy feature. Once you engage the Silk feature, you can use the Texture knob to dial in how much silk you would like. - I reach for this every time track something new... Try it with 0 silk, to 100% silk and see which I like better and dial in from there. Tracking with a ribbon mic (using a Shure KSM 313) - the silk/texture options bring in a nice crisp top end without losing the warmth of the ribbon - awesome pre for ribbon mics.
I took it to a friends place and tried it on bass guitar, drum overheads, kick and snare - wow. And now he'll be ordering a 5211 as well.
Whether you're looking for a clean and neutral preamp, or something to impart character on your tracks - I highly recommend checking out the 5211 - without the silk, it's amazingly clean - want some character? Hit the silk button and dial in as you please.
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