Royer R-121
UPC/EAN #899060002181
MPN #RO-R121
$2059.00
Save 19.9%, MSRP $2569.00
Ribbon microphone with figure-8 polar pattern, high SPL capabilities, low residual noise, and consistent frequency response
Released in 1998, the award-winning R-121 is our flagship microphone; the world's first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. We did away with the large, heavy, fragile "classic" approach to ribbon microphones and went in a completely new direction. The R-121 gives all of the warmth and natural sound that experienced engineers have long turned to ribbon mics for, but in a compact, light-weight, high output and tough-as-nails package that was unheard of in a ribbon mic before the R-121. In its 10+ years in the market, thousands of R-121's have been sold around the world and it's well established as a standard for tracking electric guitar and brass.
The R-121 redefined ribbon microphones so completely that Recording Magazine wrote: "...the Royer R-121 is destined to become one of the classic microphones of the 21st century."
Like many of the best classic ribbon mics, the R-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. But that's where the similarities end. By using advanced materials and a blend of cutting edge and old-school, hand-build construction techniques, the R-121 is an extremely versatile and user-friendly ribbon mic that can stand up to the most demanding tasks. Cranked up electric guitars, close up brass, drums " you name it, the R-121 will help you record it with realism you have to hear to believe.
We build the R-121 solid enough to give it a lifetime warranty. We expect you to own it for as long as you record, and we'll stand behind it the whole way
Patented Offset Ribbon Technology
The R-121's proprietary offset ribbon transducer (Patent # 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. It's an integral piece of the magic of all Royer R-series microphones.
Applications
Electric Guitar Amps
Brass Instruments
Horn Sections
Drum Rooms
Kick Drum
Woodwinds
Percussion Instruments
Acoustic Piano
Acoustic Guitar
String Instruments & Sections
Choirs & Orchestras
Commercial Broadcast
Features
High SPL CapabilitiesNo internal active electronics to overload or produce distortion up to maximum SPL ratingExtremely low residual noiseRibbon element is not affected by heat or humidityAbsence of high frequency phase distortionEqual sensitivity from front or back of elementConsistent frequency response regardless of distance
Specifications
Acoustic Operating Principle: Electrodynamic pressure gradient
Polar Pattern: Figure-8
Generating Element: 2.5-micron aluminum ribbon
Magnets: Rare Earth Neodymium
Frequency Response: 30 -15,000 Hz +/- 3dB
Sensitivity: -47 dBv Re. 1v/pa
Output Impedance: 300 Ohms @ 1K (nominal)
Rated Load Impedance: >1500 Ohms @ 300 Ohms
Maximum SPL: >135dB @ 20 Hz
Output Connector: Male XLR 3 pin (Pin 2 Hot)
Dimensions: 155.7mm L, 25mm W (6.13" L, 1" W) Weight: 244g (8.6 oz) Finish: Dull Satin Nickel/Matte Black Chrome optional
Write a review about the Royer R-121
4.5
Max Poulin
St-Georges
April 15, 2020
Excellent micro pour la guitare
Ce micro est un complément parfait pour un dynamic comme le SM57 ou le Audix i5 sur un ampli de guitare, il va chercher tout ce que ces deux-là ne peuvent pas aller chercher, du gras et de la chaleur, et forment ensemble un son beaucoup plus rempli.
Read moreJe dois dire qu'utilisé seul ce n'est pas mon favori, car plus sombre un peu mais c'est justement ce qui fait sa force en tandem. Il peut être utilisé des deux côtés (il est plus bright utilisé de "dos"). Bénéficie grandement de ne pas être utilisé avec un preamp trop sombre. Le son est doux et on y retrouve aucune fréquence "harsh". Effet de proximité très accentué dans le mauvais sens si utilisé trop près de la source. Ruban plus solide que les anciens micros à ruban mais tout de même plus fragile qu'un micro dynamic. Ce n'est pas un "essentiel" mais c'est un excellent outil pour ceux qui enregistrent beaucoup de guitares électriques.
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