Timecode and Sync output cable to RED DMSC2 Expander For RED cameras or Expanders with 4-pin SYNC port, supplies timecode and genlock with a single connection.
Hirose DC distribution box, 10 x 4-pin sockets with lead to Hirose 4-pin Male Generally all Hirose distribution boxes have a lead with Hirose 4-pin connector.. On request we also manufacture the... View more
Hirose DC distribution box, 4 x 4-pin sockets with lead to Hirose 4-pin Male Ambient manufactures Hirose distribution boxes with up to 10 sockets.... Generally all Hirose distribution boxes have a... View more
Hirose DC distribution box, 6 x 4-pin sockets with lead to Hirose 4-pin Male Ambient manufactures Hirose distribution boxes with up to 10 sockets.... Generally all Hirose distribution boxes have a... View more
QP 5130 with coiled cable installed, mono, 5 segments, installed coiled cable and modular outlet, XLR-3-pin The Ambient QP5 Series was specifically designed for documentary and ENG boom work. Built... View more
Microphone input cable for UMP III, with Neutrik XLR-3F EMC Knowing a chain is always just as strong as its weakest link, we at Ambient are paying greatest attention to what is often neglected and... View more
QP 565 with coiled cable installed, mono, 5 segments, installed coiled cable and modular outlet, XLR-3-pin The Ambient QP5 Series was specifically designed for documentary and ENG boom work. Built... View more
Mounting plate for phantom power unit (UMP II) and wireless transmitter Increasing scene complexity, decreasing set-up time, and the demand to have the microphone instantly on spot are common for... View more
TC output cable, 5-pin Lemo 90 to BNC/M 90, LEMO outlet orientation at 6 o'clock Timecode output cable with 5-pin Push-Pull connector RA, outlet 6 o'clock, to BNC RA. Because different Push-Pull... View more
TC output cable, Lemo 5-pin to 3.5 mm TRS 90 + Female 3.5mm Jack Timecode output cable with 5-pin Push-Pull connector to 3.5 mm TRS right angle plug plus jack for feeding microphone and timecode into... View more
Standard Jumbo Boom, 9.1' to 34.7' Tripod mounted boom poles for recording concerts and crowd scenes. Typical applications include studio, classical music, church organ, feature film crowd scenes,... View more
