Dolby E encoder for Pro Tools and DAWs, supports 8 tracks, faster-than-real-time, metadata settings, file/tape workflows, ideal for broadcast audio.
The Neyrinck SoundCode for Dolby E Encoder is a comprehensive software suite designed to facilitate efficient Dolby E encoding on both Mac and Windows platforms. It caters to traditional tape-based workflows as well as modern file-based processes, ensuring versatility across various production environments. The suite includes a standalone application, a Pro Tools AudioSuite plug-in, and a Final Cut Pro plug-in, enabling seamless integration into existing setups. Users can encode up to eight tracks with over 20 different Dolby E program configurations, including 5.1 plus stereo and LCRS plus stereo. The encoding process is faster than real-time and supports both tape and file-based workflows. By streamlining the encoding process, the SoundCode for Dolby E Encoder enhances workflow efficiency and ensures high-quality audio output for professional broadcasting and post-production applications.
Caractéristiques
Efficient Dolby E Encoding: Encodes Dolby E streams into stereo WAV files on Mac and Windows platforms, supporting both tape-based and file-based workflows.
Standalone and Plug-In Applications: Includes a standalone application, Pro Tools AudioSuite plug-in, and Final Cut Pro plug-in for seamless integration into various production setups.
Flexible Encoding Options: Supports multiple program configurations, including 5.1 + Stereo and LCRS + Stereo, with options for film and SMPTE track orders, input offsets, and bit depths.
Accelerated Processing: Optimized for multi-core processors, enabling faster-than-real-time encoding to streamline production workflows.
Comprehensive Metadata Support: Allows embedding of Dolby metadata within WAV files for accurate reproduction of the final consumer experience.
Spécifications
Encoding capabilities: Standalone application and Pro Tools AudioSuite plug-in for encoding Dolby E streams, supports up to 8 audio channels with configurations like 5.1 + Stereo and LCRS + Stereo, faster-than-real-time encoding, options for film and SMPTE track orders, 1 or 2 frame input offsets, encoding in 16-bit, 20-bit, or PCM formats, includes standard Dolby E metadata settings
Integration and compatibility: Seamless integration with Pro Tools for encoding, Final Cut Pro plug-in for encoding within Final Cut workflows, compatible with workstations like Nuendo, Fairlight, Pyramix, and Media Composer
System requirements:
Operating systems: Mac OS X 10.7 or later; Windows 7 or later
