Meyer Sound Amie
MPN #09.249.001.01
Amie 2.1 Studio Monitor System
Clarity and Translation You Can Trust
FLAWLESS TRANSLATION TRANSFORMS A CREATIVE PATH
Amie unleashes your creative power by extending the accurate translation of the Meyer Sound Acheron screen channel loudspeakers to smaller studio environments.
EFFORTLESS POWER AND PRECISION
From the intricate details of dialog to dynamic music tracks and explosive action sequences, Amie reproduces it all with ease.
PHENOMENAL IMAGING BRINGS YOUR MIX TO LIFE
Developed to meet the demanding needs of audio professionals, Amie allows you to hear your work with unparalleled depth, precision, and presence.
AMIE SYSTEMS
The Amie'Sub 7.1 & 2.1 integration modules produce a seamless integration with the Amie precision studio monitors. These systems are quickly deployable, near field monitoring solutions for post-production editorial and music.
Features
GIVE YOUR CREATIVE TOOLKIT A CLARITY BOOST
Designed for linear reproduction, Amie's exceptional imaging is a result of a near-perfect impulse response and ultra low distortion " reducing time for rework on larger systems, and minimizing engineers' ear fatigue.
SMALL FOOTPRINT. BIG IMPACT.
Amie's impressive power-to-size ratio can make your edit room sound like the mixing stage.
ENGINEERED FOR LINEARITY
Patented class-D amplifier provides incredible peak power and reduces distortion.
FLEXIBILITY AND DURABILITY WORTHY OF A FIRST-CLASS LOUDSPEAKER
With Amie, Meyer Sound brings four decades of building reliable concert systems to studio monitoring, with varied mounting options for utmost flexibility.
Specifications
ACOUSTICAL
Operating Frequency Range: 2 42 Hz " 22 kHz
Frequency Response: 45 Hz " 20 kHz ± 4 dB
Phase Response: 190 Hz " 20 kHz ±45
Linear Peak SPL: 120.5 dB with 18.5 dB crest factor (M-noise), 117.5 dB (Pink noise), 120 dB (B-noise)
COVERAGE
Horizontal Coverage: 80
Vertical Coverage: 50
TRANSDUCERS
Low Frequency: One 6.5-inch long-excursion cone driver; 4 ? nominal impedance
High Frequency: One 1-inch dome tweeter on a constant-directivity waveguide; 4 ? nominal impedance
AUDIO INPUT
Type: Differential, electronically balanced
Maximum Common Mode Range: ±15 V DC
Connectors: XLR 3-pin female input with male loop output.
Input Impedance: 10 k? differential between pins 2 and 3
Wiring: Pin 1: Chassis/earth through 1 k?, 1000 pF, 15 V clamp network to provide virtual ground lift at audio frequencies, Pin 2: Signal +, Pin 3: Signal ", Case: Earth ground and chassis
Nominal Input Sensitivity: 6 dBV (2.0 V rms) continuous is typically the onset of limiting for noise and music
Input Level: Audio source must be capable of producing of +20 dBV (10 V rms) into 600 ? to produce the
maximum peak SPL over the operating bandwidth of the loudspeaker.
AMPLIFIER
Type: Two-channel, Class-D
Total Output Power: 4 900 W peak
THD, IM, TIM: < 0.02%
Cooling: Convection
AC POWER
Connector: powerCON 20 input with loop output (up to 7 Amie loudspeakers may be safely looped)
Automatic Voltage Selection: 90"265 V AC
Safety Agency Rated Voltage Range: 100"240 V AC, 50"60 Hz
Turn-on and Turn-off Points: 90 V AC turn-on, no turn-off; internal fuse-protection above 265 V AC
CURRENT DRAW
Idle Current: 0.160 A rms (115 V AC); 0.144 A rms (230 V AC); 0.183 A rms (100 V AC)
Maximum Long-Term Continuous Current (>10 sec): 0.68 A rms (115 V AC); 0.36 A rms (230 V AC); 0.79 A rms (100 V AC)
Burst Current (<1 sec): 5 1.02 A rms (115 V AC), 0.51 A rms (230 V AC), 1.2 A rms (100 V AC)
Maximum Instantaneous Peak Current: 2.7 A peak (115 V AC), 1.4 A peak (230 V AC), 3.1 A peak (100 V AC)
Inrush Current: <20.0 A peak
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