Lynx Studio Technology Aurora (n) 24 HD
MPN #LYN-AN24-HD2
$6349.00
Save 17.9%, MSRP $7733.00
24-channel 24-bit/192kHz A/D D/A converter with LT-HD card for Pro Tools|HD preinstalled
This Aurora (n) 24-HD with preinstalled LT-HD option provides you with pro-quality digital conversion and ultra-low-latency performance. The Aurora (n) 24-HD gives you up to 192kHz analog to digital and digital to analog conversion with front panel control of all routing and sample rate options. Word clock and MIDI I/O connectors provide you with additional sync options, and the preinstalled LT-HD card provides you with maximum bandwidth and minimal latency. Aurora (n) models give you up to 32-channel recording and playback to microSD for stand-alone operation or confidence recording, as well as two audiophile-grade headphone outs, while a TFT LCD display provides immediate status information. Leveraging high-end Lynx Hilo technology and utilizing cutting-edge FPGA processors, Aurora (n) delivers even greater transparency, with significantly lower noise and distortion than previous models.
Transparency Matters
Signal coloration is additive and can kill an otherwise pristine mix. That's why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx's hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world's finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby's new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.
Discrete Converter Array
Some manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.
Hilo Converter Technology (HCT)
Design and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.
Future-Proof Design
Configurable I/O
Add Channels - Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.Add Modules - Digital (AES/EBU, now shipping), Mic Pre Amp (available March 2018) & Analog Summing modules to be released in 2018. More are being designed now for future release.Add Connection Method - Thunderbolt, DANTE, ProTools|HD or USB via LSlot CardsAdd Functionality - Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)'s functionality and build in new feature sets.
SynchroLock 2?
All new SynchroLock 2? high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I/O provides one input and three outputs on BNC connectors.
Features
(n)ext Generation Aurora(n) Mastering A/D and D/A Converter
Complete redesign integrating Hilo Converter Technology (HCT) for analog I/O achieving significant improvements in transparency and reductions of both noise and distortion.Available in 8-channel, 16-channel, 24-channel and 32-channel configurations.LSlotTM expansion slot for Thunderbolt, Dante, USB, ProTools|HD connectivity and more.Configurable I/O - pre-amp, summing & AES3+ADAT modules to be released in 2017.Up to 32-channels of real-time recording and playback via on-board microSD card.2 audiophile-grade headphone outputs1 in/3 out Word clock I/O with Lynx exclusive second generation SynchroLock-2 sample clock technologyUniversal power supplyDesigned and built in the USA
Specifications
Analog Specs
Line In (includes A/D Conversion)
THD+N: 113dB @1kHz, 1dBFS, 20kHz filter, +20dBu trimDynamic range: 119dB, Aweighted, 60dBFS signal methodFrequency response: ±0.010dB, 20-20kHzCrosstalk: 130dB maximum @ 1kHz, 1dBFS signalCommon mode rejection: greater than 80dBFullscale trim settings: +6dBV, 20dBu
Line Out (includes D/A Conversion)
THD+N: 108dB @1kHz, 1dBFS, 20kHz filter, +20 dBu trimDynamic range: 120dB, Aweighted, 60dBFS signal methodFrequency response: ±0.025dB, 20-20kHzCrosstalk: 130dB maximum @ 1kHz, 1dBFS signalFullscale trim settings: +6dBV, 20dBu
Headphone Out (includes D/A Conversion)
THD+N: 107dB @1kHz, 1dBFS, 20kHz filter, volume at maxDynamic range: 120dB, Aweighted, 60dBFS signal methodFrequency response: ±0.025dB, 20-20kHzCrosstalk: 120dB maximum @ 1kHz, 1dBFS signalOutput level: 18.4dBu maximum
LM-PRE4 Preamp Module
Microphone Input (includes A/D conversion)
THD+N: -111dB (0.00028%) @1kHz, 1dBFS, 20kHz filter @ 21.6dB gainEIN: -129dBu A-weighted, -60dBFS methodDynamic Range: 116dB Aweighted, 60dBFS signal method @ 21.68dB gainFrequency Response: +0.01 / -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settingsCrosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gainCommon Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gainFull-scale Input Level for A/D: 28.7dBuInput impedance: 2.1k OhmGain Settings: 5.6dB/13.6dB to 68.6dB in 1dB stepsPad attenuation: 13.6dBHigh-pass Filter: 80Hz, 12 dB / octaveConnector: Female XLR on Neutrik jack
Line Input (includes A/D conversion)
THD+N: -113dB (0.00028%) @1kHz, 1dBFS, 20kHz filter @ 21.6dB gainDynamic Range: 119dB Aweighted, 60dBFS signal methodFrequency response: ±0.010 dB max deviation over 20-20kHzCrosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gainCommon Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gainFull-scale Input Level for A/D: 20dBuGain settings: FixedConnector: Female XLR on Neutrik jack
HI-Z input
THD+N: -109dB (0.00035%) 1kHz, -1dBFS, 20kHz filterEIN: -115dBu A-weighted, -60dBFS methodDynamic Range: 114dB A-weighted, -60dBFS method @ 21.6dB gainFrequency Response: +0.01 / -0.05dB max. Deviation over 20-20kHz band, -1dBFSCrosstalk: -132dB max. Adjacent channel, -1dBFS, 1kHzFull-scale Input Level for A/D: 14.9dBu @5.6dB gainInput impedance: 1M Ohm unbal. (TS), 2M Ohm bal. (TRS)Gain Settings Fixed: 5.6dB/13.6dB to 68.6dB in 1dB stepsConnector: TRS on Neutrik jack
LM-DIG Digital I/O Module
Optional LM-DIG digital I/O module16 input and 16 output channels of 24-bit AES/EBU44.1 kHz to 192 kHz sample rate supportTwo 25-pin female D-subs, Yamaha digital I/O pinout
Software
Lynx Mixer for Aurora(n) Thunderbolt models: Included with Thunderbolt driver
Additional modules
Digital I/OMicrophone preampAnalog summing (Coming in 2018)
Analog Input Connections
Aurora(n) 8 - 1 x DB25Aurora(n) 16 - 2 x DB25Aurora(n) 24 - 3 x DB25Aurora(n) 32 - 4 x DB25
Analog Output Connectors
Aurora(n) 8 - 1 x DB25Aurora(n) 16 - 2 x DB25Aurora(n) 24 - 3 x DB25Aurora(n) 32 - 4 x DB25
Dimensions
Depth - 10 inchesWidth - 19 inchesHeight - 1.7 inches
Weight
Aurora(n) 8 - 7 poundsAurora(n) 16 - 7.1 poundsAurora(n) 24 - 7.2 poundsAurora(n) 32 - 7.3 pounds
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