MPN #723116XA    

16-channel Harrison 32Classic analog console pre-wired for Dante networking, featuring 32C EQ, transformer mic pres, inline workflow, 8 buses, and 7.1.4 monitor control.



The 32Classic 16-channel distills Harrison's iconic 32C sound into a compact, studio-ready desk and arrives pre-wired for Dante so you can plug in, patch, and record over a single Ethernet cable. Each channel features a transformer-balanced mic preamp feeding the musical 32C 4-band EQ with sweepable HP/LP filters, plus flexible in-line record/monitor paths for effortless tracking and overdubs. Routing is classic and fast: assignable groups, multiple auxes (for cue and FX), and a transformer-balanced stereo mix bus deliver the punchy, open sound engineers expect from Harrison.

With the factory Dante configuration, all essential I/O is already mapped: per-channel direct outs to your DAW, DAW "playback" returns to each strip, mix and group outputs, and monitor feeds-no soldering or bay work required. Dante Controller handles patching, clocking, and expansion to additional converters, headphone amps, or live rooms, while ultra-low-latency AoIP keeps large sessions responsive.

Designed for modern hybrid workflows, the 32Classic offers an ergonomic armrest for keyboard/mouse, a rear shelf for nearfields or displays, and clean cable management. The result is a streamlined, professional centerpiece: Harrison's classic tone and hands-on speed, with Dante networking baked in for immediate, scalable studio integration.
  • 16 channel analog console with Harrison 32C 4 band EQ and HP/LP filters on every channel.
  • Transformer balanced microphone preamps and transformer balanced main stereo mix output.
  • Pre-wired Dante integration via built-in professional grade AD/DA converters; direct Ethernet interface to a DAW.
  • Two internal Dante/converter cards provide 32 in x 32 out per card at 96 kHz; appear as two devices on the Dante network and are combined to a single Ethernet link.
  • Typical factory pre-connections include channel direct outs and playback to the channel Dante card, plus master section links for main mix, cue/matrix, monitor Dante inputs, and surround monitor inputs.
  • All analog I/O fully balanced on DB25 connectors with Tascam AES59 pinout; duplicated connectors let you access analog outs while also feeding Dante.
  • Converter/Dante cards include RJ45 Dante ports, TTL word clock input, and integrated Ethernet switch.
  • Console optimized for DAW workflows with inline record/mixdown modes, inserts, direct outs, auxes, groups, and 0 dB fader lock.
  • Comprehensive monitor section with multiple external inputs and 11.1 or 7.1.4 surround capability.
  • Front panel mic/instrument input assignable to any channel for quick overdubs.
  • General Specifications:
  • Console configuration 16 channel Harrison 32Classic pre wired for Dante
  • Module type 32C input strips with transformer balanced mic preamps and 32C four band EQ
  • Inline or split operation with channel insert and direct out on every channel
  • Universal internal power supply and fanless cooling

  • Microphone Input:
  • Gain range 20 dB to 70 dB in stepped increments
  • Equivalent input noise better than minus 129 dBu
  • Transformer balanced and earth free

  • Line Input:
  • Input impedance 10 k ohms bridging
  • Trim range plus or minus 9.5 dB
  • Maximum input level plus 24 dBu
  • Transformer balanced and earth free

  • Output:
  • Maximum output level plus 24 dBu
  • Output impedance 30 ohms typical
  • Main mix output 75 ohms when output transformer engaged
  • Balanced and earth free

  • Distortion and Noise:
  • THD at 50 dB gain less than 0.01 percent
  • Frequency response 20 Hz to 20 kHz plus or minus 0.25 dB
  • A to D and D to A THD plus N less than 0.01 percent at plus 4 dBu

  • High Frequency EQ:
  • 32C shelving type
  • Boost and cut range program dependent with musical Q

  • Low Frequency EQ:
  • 32C shelving type
  • Boost and cut range program dependent with musical Q

  • Mid Frequency EQ:
  • 32C peaking type two sweepable mids
  • Musical proportional Q behavior

  • High Pass and Low Pass Filters:
  • Continuously variable high pass and low pass per channel
  • Adjustable to remove rumble and ultra high content

  • Buses and Aux Sends:
  • Group buses 8 mono assignable
  • Aux sends 4 mono plus 1 stereo cue
  • Direct out per channel switchable pre or post fader

  • Monitoring:
  • Control room monitor section up to 12 speakers including 7.1.4 layouts
  • External monitor inputs and alternate monitor outputs on master section
  • Talkback and slate functions

  • Dante and Converter Section:
  • Factory pre wired Dante interface integrated to channel and bus points
  • Two converter and Dante cards each 32 input by 32 output
  • Total Dante capacity 64 by 64 at 44.1 or 48 kHz or 32 by 32 at 88.2 or 96 kHz
  • Single RJ45 Dante network port with word clock input on BNC
  • Typical mapping Dante playback to channels 1 to 16 and Dante direct outs from channels 1 to 16

  • Converter Performance:
  • A to D maximum input level plus 24 dBu
  • A to D THD plus N less than 0.01 percent at plus 4 dBu
  • D to A maximum output level plus 24 dBu
  • D to A THD plus N less than 0.01 percent at plus 4 dBu
  • Frequency response 20 Hz to 20 kHz plus or minus 0.25 dB

  • I O and Connectivity:
  • DB25 Tascam pinout for analog direct outs groups mains cue matrix aux and monitor I O
  • RJ45 Dante primary network port
  • BNC word clock input 75 ohm

  • Controls and Switches:
  • 100 mm channel faders with solo and mute
  • Channel EQ in or out and filter in or out
  • Bus assign switches and pre or post direct out select
  • Monitor source select speaker select and dim controls
  • Aucune évaluation.
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