MPN #GL2400-416    

$2549.00

Save 7.9%, MSRP $2769.00
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The Allen & Heath GL2400-416 is a 16 channel Dual-Function Function Live Sound Mixer. This mixer is designed for professional applications.



Whether mixing FOH, monitors, or both, recording live or in the studio, installed in a busy or house of worship, out on the road touring or earning its keep in rental stock, the GL2400 provides the perfect solution.

Engineered for modern engineering techniques, every detail in this mixer has been carefully thought out to provide the very best mixing experience. For example, the mono output can be configured as LR sum, wedge, or aux-fed sub or centre master. In Monitor mode, all six auxes are available on faders with mutes, inserts, meters and XLR drive. The new 7x4 matrix with ambient mic capability opens up a huge number of mixing applications, including stereo recording, zone feeds, delay fill speakers and stereo in-ear monitor mixes.

We have worked hard at the design of the audio circuitry in this mixer, and with its amazing headroom and new ultra-quiet mix head amp, we believe that this is our best performance yet!
  • 16 channel frames
  • LR and M main outputs
  • 4 Audio groups with pan control
  • 6 Auxiliary sends with per-channel pre/post fader switching
  • 2 stereo channels each with mic and dual stereo line inputs
  • 7x4 Matrix
  • Proper dual functionality for FOH and/or Monitor mixing
  • M can be configured as LR sum, Wedge, or Aux-Fed Sub or C master
  • Recording capable with channel direct outputs
  • Matrix external inputs with level trims and common input capability
  • Stereo channel line inputs can be independently routed to LR
  • Stereo channel mic input breakpoints for cross patching into matrix
  • Responsive 4 band, 2 sweep EQ
  • 100Hz channel high pass filters
  • Individual phantom power and Polarity switching
  • Dedicated Channel, Master and stereo Monitor meters
  • Internal jumper plugs for pre/post-EQ aux, direct out and other options
  • Mutes, meters and AFL on all fader masters
  • Assignable talkback
  • 1kHz oscillator and pink noise generator
  • 2-track monitoring and replay to LR
  • Headphones and local monitor outputs
  • Electronically balanced XLR outputs with +26dBu drive capability
  • Preamp +34dBu maximum input capability for mic or line
  • Ultra low noise mix head amp design
  • Internal power supply with MPS12 backup supply input (16 to 32 models)
  • External RPS11 power supply and socket for backup supply (40 model)
  • 100mm dust protected faders
  • Metal jacks, gold-plated XLRs, sealed pots and switches
  • Individual circuit card assembly with nutted pots
  • Solid copper bus bar grounding
  • Sys-Link V2 console linking option
  • 4-pin XLR lamp sockets
  • Faders: 36 motorized faders with 6 layers, providing 216 assignable fader strips
  • Touchscreens: Dual 12-inch capacitive touchscreens with gesture control for intuitive operation
  • Assignable Controls: 26 SoftKeys and 3 pages of 6 assignable rotary controls per screen for customized functionality
  • Built-in I/O: 8 XLR mic/line inputs, 8 XLR line outputs, 2 stereo AES3 digital inputs, and 3 stereo AES3 digital outputs
  • Connectivity: Dual redundant GigaACE gigabit link to MixRack, redundant DX link for I/O expansion, 2 I/O ports (128 channels at 96 kHz each), 2 network ports, Wordclock BNC I/O, and video output
  • Power Supply: Dual redundant, hot-swappable power supply capability for increased reliability
  • Construction: Durable high-grade metal chassis designed for professional touring and installation environments
  • Dimensions: Width: 1080 mm (42.5 inches); Depth: 643 mm (25.3 inches); Height: 354 mm (13.9 inches)
  • Weight: Approximately 36 kg (79.4 lbs)
  • Additional Features: Engineer's Wedge and IEM fader strips, comprehensive multipoint metering, daylight visibility, USB stereo recording and playback, and configurable widget areas for scenes, meters, effects, and more
  • Applications: Ideal for professional touring, broadcast, and high-end installation, offering extensive control and flexibility for complex audio environments
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