ENHANCED SUMMING & ROUTING
No session is like another and sound engineers always have to make the special routing of the day when it comes to recording or mixing a program. Convert an analog feed, plug the producer's smartphone who wants to get you to listen to his latest hit or insert that special valve 'RevCompEq' mandatory for the singer's headphones.just ready to set your routing up.

ADAPT TO YOUR DAILY WORKFLOW
No session is like any other one, so you'll be setting the D-MON Processor to carry exactly what you need. Just declare whether your Main Mix is made out of a stereo or a surround feed and choose which inputs make your Alternate 1 and 2 which can also be in various formats.

READY FOR AUDIO OVER IP
Add both an AoIP source and destination to existing D-MON machines, in a Ravenna/AES67/SMPTE 2110-30 compatible mode. It uses the common network machine port.

This option requires a clock master device elsewhere on the network and will be available in Q3 2019.

Both Analog and Digital professional inputs and outputs, providing the most pristine sound quality over a modular set of I/O.

.Integrates easily through standard protocols into the most complex audio ecosystems from midi and GPIO to Avid and EUCON protocols, the free D-MON app (macOS).

.A zero latency Switching Matrix to route all signals easily and make any patch set in seconds.

.An Internal Mixer which can create various sums of stems, mains or aux mixes, from discrete inputs to any talkback/listen back feed.

.Trinnov's Optimizer to perfectly tune any speaker set to the actual acoustics of the control room.

IN & OUT FOR NOW AND THE FUTURE
- Up to 16 Digital IOs (AES), to provide for the most complex sound mixes but also multiple aux sends, sub-groups or even stems.
- A switchable 8-channel Digital Insert to hook up an external processing and make instant A/B comparisons or the mastering final cut
- Up to 8 Analog Inputs able to be assigned as a Cue, the Talk-back or just used as external sources to be converted to digital for whatever reason
- From 12 to 16 Analog Outputs offer all possibilities to address multiple sets of loudspeakers, headphones and outboard gears, all at the same time

THE MULTI-PURPOSE I/O CONNECTOR
Midi, Headphones out, Talk-Back in all wired for the Eucon Protocol, allowing to replace an X-Mon in a completely seamless way
Time-Code is available as an LTC input when you're running the SmartMeter to make a Loudness metering session never more effective than ever
GPIOs are located there too, so linking to other equipment for synchronizing switches, lights or a simple pedal is immediate and easy

TRINNOV PROCESSING
Several layers of 31 bands Graphic EQ, FIR EQ, gains, polarity and delays available for every channel
Total delay given in meters/milliseconds/frames for the listening point and adjustable global delay for accurate Lip Sync; Front / Surround / Top balance

REMOTE & LOCAL PARAMETERS
Source Selection : 4 Cues/TB/LB, 6 Cues/TB/LB, 8 Cues/TB/LB, 8 Cues/TB/LB
Monitor Selection : upon programmable presets & profiles
Switching Matrix : any physical input, mix bus or Optimizer output to any physical output
Summing Matrix : (Mono/ST) 12 in / 8 bus, 12 in / 12 bus, 18 in / 16 bus, 18 in / 16 bus

AUDIO SPECIFICATIONS
ADC Resolution / Sampling Rate: 24 Bits/96 Khz
DAC Resolution / Sampling Rate: 24 Bits/96Khz
A/D Signal-To-Noise Ratio: 119 Db (A-Weighted)
D/A Signal-To-Noise Ratio: 118 Db (A-Weighted)
Analog Input Impedance: Balanced: 20 Kohms
Reference Level: +18Dbu @ 0Dbfs (Balanced)
Clock / Jitter: (Jitter Attenuation > 50 Db Above 100Hz)

PHYSICAL CHARACTERISTICS
Dedicated linear power supply with a toroidal transformer on the analog audio circuit.
Dedicated PSU / switch-mode power supply on the digital audio circuit.
Power supply: 240V AC / 50-60 Hz. Option: 130V AC
Consumption: 90 W max.Weight: 14.5kg Chassis: 2U