Replica of the legendary 1956 Gates Sta-Level tube compression amplifier The Retro Instruments STA-LEVEL is a replica of the legendary 1956 Gates STA-LEVEL. The STA-LEVEL dominated the sound of hit... View more
The MC77 supercedes the MC76 re-engineered 1176 type FET Limiter. The MC77 recreates the audio circuitry of the revision E 1176, using modern components matched to the original. Starting in 1997... View more
Single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression The Distressor is the product that started it all for Empirical Labs. Born of founder Dave... View more
The 2254/R is a rack mount classic mono Limiter/Compressor. Version of the legendary 2254, plus manually adjustable Fast Attack Time, clipping indication and storable settings Designed in 1969, the... View more
Classic 500 Series peak detecting "feedback" compressor/limiter with variable threshold and output levels Originally released in the 70's, the API 525 is a "feedback" type compressor. An input... View more
The TUBE-TECH CL1B is an optical, all tube based compressor that delivers a very musical and smooth compression, preserving the clarity of the source even at extreme settings. For vocals and... View more
A pair of single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression and British mode. The Distressor is the product that started it all for Empirical... View more
Tube-limiting amplifier based on the Bill Putnam classic, the UA 176 The Retro 176 faithfully reproduces the sound of the 1960s original with new features for the modern recording studio. The Retro... View more
Teletronix LA-2A Classic Leveling Amplifier. True to the Original Design, our Famed Tube-Amplified T4 Electro-Optical Classic Compressor Audio professionals passionate about their compressors revere... View more
Single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression and British mode. The Distressor is the product that started it all for Empirical Labs. Born... View more
Discrete compressor with premium grade input and output CineMag USA Transformers true to the Classic '76 compressor in design and performance, modeled after the D revision The WA76 has a fully... View more
All-tube, transformer-balanced optical compressor Tube-Opto Tone With Extended Control: Delivering that revered "forgiving" musical compression with the added speed and control functionality, the... View more
The 1176LN Classic Limiting Amplifier is a modern reproduction, yet every effort was made to remain faithful to UA founder Bill Putnam Sr.'s visionary design and intentions. The original Universal... View more
Successor to the original Doublewide tube compressor featuring faster attack and release time, advanced stereo linking capabilities, and improved signal -just like the original Retro DOUBLEWIDE... View more
Modified "Blue Stripe" compressor based off of the "golden" unit owned by Chris Lord-Alge When certain components became unavailable, techs were forced to change the circuit, creating a one of a kind... View more
2A style transformer balanced opto tube compressor with premium grade input and output CineMag USA Transformers and USA made Kenetek opto attenuator It also features custom, large-core Cinemag input... View more
American 1176 compressor with USA-made transformers and variable attack and release times DECADES OF DYNAMICS PROCESSING. The LiN 76 has been carefully designed to recreate the timbres of nuances of... View more
VCA based 500 Series compressor/limiter, improved version of the API 527 The API 527A Compressor/Limiter takes its place alongside the family of API VCA based compressors, including the 225L... View more
Single-channel tube compression amplifier for API 500 Series Single-channel tube compression amplifier for 500 Series. The Retro Doublewide is a true variable-mu tube compressor module designed from... View more
A pair of single Channel Harmonic DISTortion & classic Knee compRESSOR. Digitally controlled Analog knee compression. The Distressor is the product that started it all for Empirical Labs. Born of... View more
Dynamics effects processor with dynamic reversal, function control, side chain, gating, expansion, compression, and limiting In 1973, Eventide Clockworks introduced the Omnipressor, the first studio... View more
Analog compressor-limiter with a very large range of color and control choices with recall, and discrete class A main audio path Resetability is attained by using stepped controls and encoders that... View more
The Model V610 Complimiter can be considered an evolution of the original Model 610, utilizing the very same 601 module with updates to fit in 21st Century workflows. With amplifier stages based... View more
Mono tube compressor, linkable, 2 space 19" Rackmount,Stepped I/O control switches, Internal PSU The Chandler Limited RS660 Compressor is a handmade, mono/linkable, transformer-balanced valve (vacuum... View more
1-channel Solid-state Electro-optical Compressor with Program-dependent Attack and Release Times, XLR and TRS I/O and External Power Supply The LA-2A (tube version) and LA-3A (solid state version)... View more
Tube-driven optical compressor and limiter with USA-made transformer and Black Lion T4BLA opto element 60 Years of History in your Studio, Today.. We meticulously engineered the LiN2A to faithfully... View more
The Pete's Place Audio BAC-500 is a feedback-style FET compressor built around two discrete op amps and a custom wound output transformer. From the top down, the BAC's faceplate features a large... View more
Mono compressor, 1 space 19" rackmount The Germanium series continues with the GERMANIUM Compressor. The GERM Comp starts with the same all class A amp found in the GERM Pre and Tone Control and is... View more
