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Information

The StudioLive 24 Series III digital console/recorder with 32 inputs is fully recallable with 25 touch-sensitive, motorized faders and 25 recallable XMAX preamps

Yet despite its extensive features, the StudioLive 24 actually improves upon PreSonus' legendary ease of use while letting you customize its workflow and operations. The StudioLive sound is better than ever, including all-new Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, onboard multitrack Capture recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that's equally formidable in live and studio applications.

PreSonus Capture recording software is an intuitive, rock-solid multitrack recording application with virtual soundcheck. It's installed directly into the StudioLive 24 so you can leave your laptop at home. Capture's one-touch recording makes it easy to record to the StudioLive 24's onboard SD multitrack recorder. When you're finished recording, open your Capture session in Studio One for Mac and Windows (included), and the entire mix scene will transfer to your Studio One session, including fader levels, Fat Channel settings, and, yes, any drum solos that you may have had to endure that night.

The StudioLive 24's Fat Channel has received a major overhaul while continuing to offer digital precision with the heart and soul of analog. Our new Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs. And in addition to channel processing, the StudioLive 24 offers 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording on location or running shows on the road!

StudioLive 24 goes above and beyond in providing ways to customize things to best fit the way you work. Now you can customize your Fat Channel layout, putting the parameters you care about most right at your fingertips. There are even several workflow options to personalize your mixing experience. For instance, you can control the mixer with a multiple iPads and-optionally-a computer, each running UC Surface with a different view, enabling you to see and touch all of the controls you need at a given time.

With StudioLive 24, we've upped the ante and given you more flexibility when working with scenes and presets. Mixer scenes now include Scene Safe. Similarly, we've expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments. Of course you can also use preset filters to choose what you want to recall.

Don't you hate it when you're setting up for a show and find you have an unused subgroup-but you're short one monitor mix That's not a problem anymore, thanks to 16 FlexMixes that can be individually designated as aux, subgroup, or matrix mixes. You get a total of 10 FlexMixes on analog outputs, 6 on XLR connectors, and 4 on ¼-inch TRS; the other 6 are routed over USB or AVB. These 16 FlexMixes are in addition to the 4 fixed subgroups that also are available via USB or AVB, giving you a total of 20 mix buses, not counting the main mix, solo, and FX buses. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. These are only a few of the many ways you can customize your StudioLive 24 mixer exactly to your needs and workflow.

PreSonus StudioLive 24 mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, and iPad. Remote control the mixer's recallable XMAX preamps and Fat Channel processing with Studio One Artist for low-latency recording with effects. (Reverb-drowned singers: rejoice!) Completely automate virtual soundchecks and record shows with Capture . Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive 24 mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.

Features

General Controls
17 touch-sensitive, motorized faders with 1-to-1 workflow
RGB Select buttons with user-assignable colors
Transport control
All-new Fat Channel controls including
  • 8 scribble strips, encoders, and multicolor buttons
  • Customizable user layer
  • 7-inch color touchscreen

  • Studio One DAW control (MCU and HUI coming soon)

    Inputs and Outputs
    32 total inputs
    24 channel inputs: 16 mic, 8 mic/line
    1 XLR Talkback mic input with recallable XMAX Class A preamp
    2 stereo Aux inputs
    10 FlexMix outputs: 6 XLR, 4 balanced TRS
    Unbalanced stereo (RCA) tape input and output
    Bluetooth ? 4.1 wireless tape input
    Stereo AES / EBU digital output
    2 XLR (L / R) Main outputs
    XLR Main summed mono output
    2 TRS monitor outputs
    Stereo headphone output

    Channels and Buses
    32 input channels
  • 16 with recallable XMAX Class A mic preamps
  • 16 via USB and AVB

  • 2 stereo aux inputs
    26 buses
  • 16 FlexMixes (can be designated as aux, subgroup, or matrix mixes)
  • 4 dedicated subgroups
  • 4 internal effects sends
  • Stereo main bus

  • 24 Filters DCAs for easy and flexible control groups of channels

    Networking Connections
    1 Ethernet control network port
  • Dynamic, Self-Assigned, and Manual IP address modes

  • 1 Locking XLR Ethernet AVB audio network port
    Complete ecosystem of AVB solutions, including stageboxes and personal monitor mixers

    Recording
    Onboard 34x34 SD recorder (using Capture ?)
    38x38 USB recording interface
    55x55 AVB recording interface

    Signal Processing
    Intuitive Fat Channel signal processing on each channel with:
  • A / B settings comparison
  • High pass filter and polarity reverse
  • Gate / expander with sidechain
  • Compressor with sidechain
  • 4-band parametric EQ on inputs
  • 6-band parametric EQ on outputs
  • limiter
  • Delay on every input
  • Delay on every output
  • Professionally programmed library of presets

  • Vintage EQ and compressor models available on every input
  • Passive EQ
  • Vintage EQ
  • Tube compressor
  • FET compressor

  • 8 31-band graphic EQs
    4 internal effects buses: a combination of reverbs and delays with modern and vintage options
    Built-in real-time analyzer

    Metering / Displays
    7-inch color touchscreen
    Input meter on every channel
    Full-size Fat Channel metering
  • Input meter
  • Gate gain reduction meter
  • Compressor gain reduction meter

  • Full-size stereo Main output meters

    Scenes and Presets
    Create, save, and edit up to 100 scenes
    Scene management with:
  • Scene Safe-prevents a scene change from affecting designated "safe" channels

  • Create, save, and edit channel settings and copy/paste between channels
    Advanced channel preset options can save and recall:
  • Channel type and name
  • Input settings (preamp, +48V phantom power, polarity, pan)
  • Fat Channel A & B settings
  • Bus assignments
  • Aux and effects send levels and pan
  • Select button color

  • 8 Quick Scenes

    Digital
    Studio-quality converters with 115 dB dynamic range
    48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)

    Actively Integrated Software
    UC Surface touch control software for Mac, Windows, and iPad
    Studio One Artist digital audio workstation software for Mac and Windows
    Capture ? multitrack recording software for Mac and Windows
    Qmix -UC aux-control software for iOS and Android ? available free from Apple's App Store, Google Play, and Amazon Appstore

    Specifications

    Computer system requirements:
    Below are the minimum computer-system requirements for UC Surface and Studio One.

    Mac
    Mac OS X 10.8.5 64-bit or later
    Intel Core 2 Duo processor (Intel Core i3 or faster recommended)
    4 GB RAM (8 GB or more recommended)

    Windows
    Windows 7 x64/x86 SP1 + platform update, Windows 8.1 x64/x86, Windows 10 x64/x86
    Intel Core 2 Duo or AMD Athlon? X2 processor (Intel Core i3 or Athlon X4 or faster recommended)
    4 GB RAM (8 GB or more recommended)

    Mac and Windows Systems
    USB 2.0 port
    Internet connection
    Internal or external 7200 RPM storage drive highly recommended
    30 GB hard disk space
    Monitor with 1366x768 resolution

    iOS
    iOS 8 or later
    iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2

    Note: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.
    Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.

    Microphone Preamplifier
    Input Type: XLR Female, balanced
    Frequency Response to Main Output (at unity gain): 20-20 kHz, ±0.5 dBu
    Input Impedance: 1 k
    THD to Main Output: <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
    S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): 94 dB
    Common Mode Rejection Ratio (1 kHz at unity gain): 65 dB
    Gain Control Range (±1 dB): 0 dB to +60 dB
    Maximum Input Level (unity gain): +12 dBu
    Phantom Power (±2 VDC): 48 VDC, switchable per channel

    Line Inputs
    Type: ¼" TRS Female, balanced
    Frequency Response to Main Output (at unity gain): 20-20 kHz, ±0.5 dBu
    Input Impedance: 10 k
    THD to Main Output: <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
    S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): 94 dB
    Maximum Input Level: +18 dBu

    Tape Inputs
    Type: RCA Female, unbalanced (stereo pair)
    Maximum Input Level: +12 dBu, ±0.5 dBu

    XLR Outputs
    Type: XLR Male, balanced
    Maximum Output Level: +24 dBu, ±0.5 dBu
    Output Impedance: 100

    Line Outputs
    Type: ¼" TRS Female, balanced
    Maximum Output Level: +18 dBu, ±0.5 dBu
    Output Impedance: 100

    Tape Outputs
    Type: RCA Female, unbalanced (stereo pair)
    Maximum Output Level: +18 dBu, ±0.5 dBu
    Output Impedance: 100

    Headphone Output
    Type: ¼" TRS Female, active stereo
    Maximum Output: 100 mW/ch. @ 60 load
    Frequency Response: 20 Hz - 20 kHz (± 0.5 dB)
    THD+N: 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd
    S/N Ratio: 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd

    System Crosstalk
    Input to Output: -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
    Adjacent Channels: -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)

    Digital Audio and Control
    ADC Dynamic Range: 115 dB (A-wtd, 48 kHz)
    DAC Dynamic Range: 115 dB (A-wtd, 48 kHz)
    USB Recording Port: USB 2.0, Type-B
    Bluetooth Input: 4.1, stereo
    AES/EBU Output: XLR Male
    Network Control Port: RJ-45
    AVB Audio Network Port: Ethercon
    Internal Processing: 32-bit, oating point
    Sampling Rate: 48 kHz (44.1 kHz coming soon)
    A/D/A Bit Depth: 24
    Reference Level for 0 dBFS: +18 dBu
    Total System Latency: 1.9 ms (local routing, analog in-analog out, all processing active)

    Clock
    Jitter: <20 ps RMS (20 Hz - 20 kHz)
    Jitter Attenuation: >60 dB (1 ns in, 1 ps out)

    Power / Environmental
    Connector: IEC
    Input-Voltage Range 90 to 230 VAC (±10%)
    Power Requirements (continuous): 85W
    Recommended Ambient Operating Temperature: 0 to 40 Celsius / 32 to 104 Fahrenheit

    Physical
    Height: 7" (179mm)
    Width: 25.6" (650mm)
    Depth: 23" (584mm)
    Weight: 30 lbs. (13.6 kg)
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