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NOVATION  |  SKU: 17092

Summit

Synths

The Novation Summit is a two-part 16-voice 61-key polyphonic synthesiser

$3,699.00 CAD
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Description

Summit's digital Oxford Oscillators offer subtractive, FM and wavetable synthesis and feed into genuine analogue dual filters, distortion and VCAs. The multitimbral engine enables merging and combining of two complete and independent patches, while up to 16 simultaneous voices deliver enough harmonic depth for even the richest of pads.

The best sounding synthesiser Novation has ever made Summit doubles the power of Peak's digital New Oxford Oscillators up to 16 voices and two parts, and adds a wealth of new features and a premium-quality five-octave keyboard. A synth much greater than the sum of its parts, it gives the serious producer or performer everything they need to design and play stunning basses, leads, arps, pads, effects and beyond.

Totally tactile sound design Summit takes Peak's architecture and workflow to new heights, with a swathe of extra front panel controls for hands-on wrangling of FM, effects, LFOs and more; dual filters with six LP/HP/BP combinations; audio input for processing external sources with the onboard effects; and auxiliary audio outputs.

Analogue where it matters The true stereo analogue signal path comprises dual analogue multimode filters, analogue VCAs and three stages of analogue distortion - pre- and post-filter, and post-VCA. With roots in the legendary OSCar, via Bass Station II, Summit's analogue credentials are truly impressive.

Wavetable Editor The Wavetable Editor unleashes the power of the wavetable oscillators. It features drawing tools and a Live Edit mode, so you can draw your own oscillator shapes and preview them in real time. Audio import lets you load in your own audio to be used as the oscillator waveform. Included is a curated selection of space-themed audio from the NASA sound library, plus exclusive content from production giants Noisia.

Specifications

Product Hardware Specifications

Synth Engine

16 note polyphony (dependent on voices used per note)

2-part-timbral

Layered, Split, Dual Bi-Timbral Modes

5 Voice Modes - Mono, MonoLG, Mono2, Poly, Poly2

Per Voice

3 oscillators

1 noise generator with HP filter control

1 ring modulator

2 LFOs

1 amp envelope and 2 mod envelopes (ADHSR + looping)

1 filter

Waveforms Include


Sine, tri, sawtooth, square / pulse, plus 43 wavetables of 5 waveforms per row

Filter

1 state variable OTA filter per voice

12/24dB slope

Low-pass / band-pass / high-pass / dual filter (separation of each 12dB filters)

dual filter: LP > HP, LP > BP, HP > BP, LP + HP, LP + BP, HP + BP, LP + LP, BP + BP, and HP + HP

Pre-filter overdrive

Post-filter distortion

Modulation


16 modulation slots per patch
2 sources per destination per slot

Mod Sources

Direct (depth)

Modulation wheel

Aftertouch (polyphonic and channel AT)

Expression pedal 1

Expression pedal 2

Keyboard velocity

LFO1 positive

LFO1 bi-polar

LFO2 positive

LFO2 bi-polar

Amp envelope

Mod envelope 1

Mod envelope 2

Animate 1

Animate 2

CV mod input bi-polar

Bend Up

Bend Down

Mod Destinations

Oscillator 1-3 frequency, v-sync level, shape amount and level

Noise source level

Ring modulator output level

Overall synth output level

Filter drive, distortion, cut-off frequency and resonance

LFO 1 and 2 frequency

Amp env / mod env 1 / mod env 2 attack, decay and release

FM Osc 1 -> osc 2, osc 2 -> osc 3, osc 3 -> osc 1 and noise -> osc 1

Osc 3 -> filter cutoff frequency

Noise -> filter cutoff frequency

Effects

FX are per part

Analogue distortion

3 chorus types

Delay with 16 types of delay sync, LP and HP damping, slew and stereo

FX Mod Matrix Source

Direct (depth)

Mod wheel

Aftertouch

Expression pedal 1

Expression/breath pedal 2

Velocity

Keyboard

LFO 1 +/-

LFO 2 +/-

LFO 3 +/-

LFO 4 +/-

Amp envelope

Mod envelope 1 & 2

Animate 1 & 2

CV +/-

Bendwheel +/-

Bend up

Bend down

FX Mod Matrix Destinations

Distortion level

Chorus level

Chorus rate

Chorus depth

Chorus feedback

Delay level

Delay time

Delay feedback

Reverb level

Reverb time

Reverb low pass

Reverb high pass

Misc.

FM controls on front panel

Global LFO 3 & 4

Arpeggiator with key latch - 33 patterns

Patch storage - up to 512 on hardware (ships with 256 factory patches)

All knobs (excl. volume), sliders and most buttons transmit and receive MIDI cc commands for external control and mapping

Microtuning with Scala table import and table tuning creation

Manual mode

Multi pot mode: Relative, Pot pick-up, Snap

Product Hardware Specifications


50 control knobs
8 45mm sliders
1 volume knob
1 data encoder knob
Rubberised knob caps with spun metal discs
55 function buttons
2 Animate buttons plus hold button
OLED display
Kensington Lock
Power switch
IEC power supply connector
USB socket for system (MIDI comms only, no bus power)
MIDI In / Out / Thru
2 1/4" jack sockets for continuous or switched pedals
1 3.5mm jack socket for CV in
2 1/4" jack sockets for left and right outputs
2 1/4" jack sockets for left and right auxiliary outputs
2 1/4" jack sockets for left and right inputs
1/4" jack socket for headphone output
Metal chassis with American walnut wooden end cheeks

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